The palette as an instrument of change

Young artsit Sivaranjani’s works displayed at Vaanam Art Festival 2024 engaged with the themes of our times. They resonated with the voice of the art festival, organised by director Pa. Ranjith’s Neelam Cultural Centre at Lalit Kala Akademi as part of Dalit History Month Celebrations.

Sivaranjani V’s journey from a curious child with itchy crayons to a perceptive artist with a prodigious palette is nothing short of inspiring. Art begins as a self-indulgent pursuit. Even great, meaningful art begins exactly that way, but moves out of that space, proceeding into the marketplace of ideas. It engages with ideas and the zeitgeist of the times. Just out of her teens, Sivaranjani has already discovered this truth. She knows the soft tip of her paintbrush can assume the sharp edge of a sword. And she makes sure it does.

Sivaranjani’s artworks displayed at Vaanam Art Festival 2024 (held around a fortnight ago) engaged with the themes of our times. They resonated with the voice of the art festival, organised by director Pa. Ranjith’s Neelam Cultural Centre at Lalit Kala Akademi as part of Dalit History Month Celebrations. The artists featured at the festival had painted vivid images of suffering encountered by various groups of people.

Sivaranjani’s surrealist art was shot through with social commentary – visitors to the exhibition expressed this thought in different words. Her use of mixed media, including newspaper clippings and textured materials, added layers of depth and meaning to her artwork.

Sample this: an artwork in mixed media on canvas titled “Fish and Fishlore” depicts the resilience and struggles of the fisherfolk, particularly those from Tamil Nadu.

The artwork presents of clippings of articles highlighting the challenges faced by these communities, the daily hardships as well as the shattering incarceration in a foreign prison. Unfazed by these obstacles, the fisherfolk continue with the life and work. Sivaranjani presented this idea through a surreal landscape where freshly caught fish is juxtaposed with a coastal backdrop. Materials like gauze went into evoking the imagery of fishing nets and crashing waves, presenting the struggle and the resilience.

Reflecting on the journey from the crayon books to Vaanam 2024, Sivaranjani says: “I started painting just to keep myself busy. When I was young, I used to take any scrap of paper and any crayon that I could find and simply let my imagination run wild.”

Growing up in Bombay, art had been a solitary pursuit for Sivaranjani, now a resident of R.A. Puram who recently graduated from Women’s Christian College with an undergraduate degree in English. “Art was something I did by myself, without anyone having to ask me,” she reflects. But over time, she realised she wanted her art to be understood and appreciated by others.