
This photo exhibition in Bengaluru drives home a conservation message Premium
The Hindu
Celebrate National Wildlife Week between October 2to 8 by visiting M.N Jayakumar’s Encounters in the Wild 2.0 at the Karnataka Chitrakala Parishath (CKP).
The large photograph hanging on the wall of Hall 1 at the Karnataka Chitrakala Parishath (CKP) is a particularly endearing one. It depicts three tigers huddled close together, staring into the camera lens with unblinking amber eyes.
M. N. Jayakumar, the man behind the photo, recalls being in a particular part of the national park very early one day—around 6.15 in the morning—when he saw a tiger, Gowri, rush past them and disappear into the woods. They spent the next few hours circling around that block of the national park, he says, but could simply not spot her till much later in the morning, feeding on a sambar deer.
She wasn’t alone, but was accompanied by her four sub-adult cubs. “She had made the kill and gone rushing back to bring her cubs,” says Mr. Jayakumar, who spent the next couple of hours, watching the little family feed. “I think she wanted some rest so she brought the cubs to the waterhole to play in the water,” says Mr. Jayakumar, who clicked the snap when the family was frolicking in the waterhole. “I liked this image because it looks like a family portrait,” he says.
This photograph is one of the 231 that form part of Encounters in the Wild 2.0, a solo exhibition both celebrating global wildlife as well as commemorating 50 years of Project Tiger, the wildlife conservation movement launched in 1973 to protect and preserve the Bengal tiger. Talking about his obsession with wildlife and conservation, Mr. Jayakumar recalls the incident that started off his passion for the wild.
In 1971, his father took him to watch a khedda, or wild elephant capture in Mysuru, among the last conducted in India before the practice was banned under Schedule I of the Wildlife Protection Act, of 1972. He was only 19 back then, and the incident impacted him greatly, remembers Mr. Jayakumar. Looking back, he thinks, “I was destined to join the forest service.”
He went on to pursue agriculture at the College of Agriculture, Bengaluru, graduating with the second rank there, before turning his attention to forest service. “I wanted a career that took me outdoors,” he says. So, he joined the Indian Forest College (now the Indira Gandhi National Forest Academy) in Dehra Dun, before becoming part of the Forest Department.
Photography happened rather serendipitously back in 1993 or so. He was working as a deputy range forest officer in Mysore, and would often host wildlife photographers from all over the country who would stop by for a meal while visiting Bandipur or Nagarahole.” On one occasion, a colleague jokingly remarked that while the whole world came to the Mysore District for photography, you—being the head of the district—are wasting your time,” he says, with a laugh. “That really spurred me to learn.”

The municipal bus stand auditorium in Malappuram was packed. But nobody quite knew what to expect. After all, a new event was making its debut at the State School Arts Festival. The moment V.G. Harikrishnan started his rendition of Pyar bhare do sharmile nain..., everyone was convinced that Ghazal was here to stay. The student from GVHSS, Atholi (Kozhikode), was applauded loudly for his rendering of the timeless ghazal sung originally by Mehdi Hassan.

For the last few weeks, several wards in Madurai city have been getting piped drinking water through a new drinking water scheme. The sweetness of the generously supplied water has led to loss of business to several suppliers of canned drinking water in the city. But, not many know that the water supplied to the houses in Madurai is directly drawn from Lower Dam of Mullaperiyar Dam in Idukki district of Kerala.











