‘Malignant’ movie review: James Wan’s return to horror not particularly effective
The Hindu
The ‘Saw’ and ‘The Conjuring’ filmmaker’s latest effort has some effective moments, but comes across as too mechanical overall
Malignant seems to be something put together by a machine diligently following an algorithm, which would go something like this. Take one scary-looking hospital, a haunted house, three sinister doctors doing shady experiments, one troubled pregnant woman and two funny detectives. Temper with jump scares, electrical appliances turning themselves on, an almighty twist and, most important, gory murders. Blend on high speed for a couple of minutes and voila, your horror movie is ready to serve. Defined as a supernatural slasher film, Malignant tells of Maddie (Annabelle Wallis) who lives in an abusive relationship in a big old house with plenty of winding corridors and banging screen doors. After the horrific death of her husband, Derek (Jake Abel), Maddie starts hearing the voice of Gabriel (Ray Chase).
A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











