Fitting tribute by Krishna Ramarathinam
The Hindu
A young trio performs at the Sathur Subramaniam memorial concert
A prominent vocalist apart, Sathur A.G. Subramaniam was a much-loved guru. A purist to the core, he was known for his raga alapanas and pallavi elaborations marked by lakshya and lakshana. When Chennai-based sabha Kedaram recently organised a concert in his honour, what better choice for singer than his grandson, Krishna Ramarathinam? The concert, replete with Tyagaraja’s compositions, began with ‘Sri Ganapatini’ (Sourashtram) from the poet’s opera Prahlada Bhakthi Vijayam. It was followed with a virutham, ‘Ramabrahmakya viprendra’, in Gowri Manohari, as a prelude to ‘Guruleka etuvanti’ (Khanda Chapu) with niraval at ‘Thathva bodhana’. Krishna, an IT professional from Sydney, trained initially under M.S. Ramanathan. He later learnt from V. Subramaniam, A.S. Murali, M. Chandrasekaran and, of course, his aunts, the Sathur Sisters.
A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











