Every stage was a canvas for Pandit Birju Maharaj, painter of rhythm
The Hindu
The Kathak maestro revitalised the dance form, enthralling audiences over decades
A complete artist who lived music in its entirety, Kathak legend transcended to a heavenly stage on Monday, leaving behind a rich legacy.
Inspired by the rhythm of nature, every time he took the stage, it seemed the Almighty was dancing through him. Be it the movement of ants, a river in spate, a bird feeding its young or the Earth’s motion on its axis, there was nothing that escaped the Kathak maestro’s dancing eyes. Pandit Birju Maharaj’s eloquent facial expressions remained unmatched.
For the Padma Vibhushan, Kathak was not limited to the parans and chakkars. The stage was a canvas for Maharajji, as he was popularly called, where he would etch paintings of Krishna and Radha’s divine romance that would dissolve in space only to be replaced by a new one.

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











