‘Ajeeb Daastaans’ review: Netflix anthology fails to break new ground, but is an earnest attempt
The Hindu
The Karan Johar-produced film does best when its ensemble cast rises to the occasion, emoting authentically on screen, the frustrations of their characters
For an anthology aiming to juxtapose a series of contrasting stories in a bid to create a thematically cohesive narrative, Netflix’s Ajeeb Daastaans is earnest, if not flawless. Essentially a heady concoction of bizarre tales as told by four different filmmakers, the film blends unique cinematic styles with awkward social scenarios, giving rise to a few genuinely engaging moments. . With a short feature each from directors Shashank Khaitan, Raj Mehta, Neeraj Ghaywan and Kayoze Irani, this Karan Johar-backed production meticulously actualises on screen, a world that is similar to our own that is still deceptively surreal, masking the film’s morally-charged rhetoric with authentic cinematic conflict.
A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











