A play that traces the life of a dancer
The Hindu
Theatre Nisha’s play Margazhi is a candid portrayal of the people and situations a Bharatanatyam artiste encounters
Theatre Nisha’s online play, Margazhi, portrays chapters from a dancer’s journey through learning, recognition, stage performances, compliments and criticism, struggles and compromise. Though the protagonist is a Bharatanatyam artiste, Margazhi could be the story of any classical dancer.
Vaidehi faces the usual dilemma. She realises that skill and hard work alone will not get her performance opportunities at major festivals in India and abroad. Should she then do the proverbial round of handshakes to get what she deserves or risk becoming one of the numerous capable also-rans relegated to being unknown and unsung?
The play’s highlight is a believable portrayal of the various types of people and situations an artiste might encounter and the industry’s fuzzy communication style and stereotypical responses. Costumes and props are realistic and understated, rightfully turning the spotlight on the incisive dialogue.
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