
Vidya Balan on how the portrayal of women in cinema is changing
The Hindu
Women are now beginning to be portrayed as individuals with dreams, desires, fears and hopes, says the actor
There has been a sea change in the portrayal of women in the past decade, and that is so heartening. Now there is no one kind of woman you aspire to be. You are allowed to be yourself in the world. We’re fighting for that every day, and you can see that on screen, too.
I think that would be an unfair thing to say. Though I definitely think the OTT space has expedited progress in this regard, I do think women-led films have been slowly doing better at the box office, too. And while trade pundits would love to believe that women-led films have a better chance on OTT than at the box office, I think we have to remember that trade pundits are mostly men.
Also read:The box office’s wonder women — telling it like it is | Women in cinema — notes from the South
Jokes apart, I think it’s very difficult at this point to predict how a film will fare. Things have changed a lot now, and the horizon for women’s stories has widened. What’s emerging very clearly is the fact that visual spectacle films are doing very well in the theatres. And the more intimate or personal stories are doing better on OTT. But that has nothing to do with gender.
I don’t know what kind of film would appeal to me because I’m waiting to be surprised and challenged to do something I had never imagined doing. Sometimes, the simplest of ideas appeal to me, sometimes, spectacular ones appeal. So, I can’t really tell for sure.
I would just say, no one is born knowing everything. So, if you feel you don’t know enough right now, that’s absolutely fine. You’ll learn along the way. And you’ll learn, and you’ll rue and you’ll get better. And you’re perfectly fine the way you are.

Parvathi Nayar’s new exhibition, The Primordial, in Mumbai, traces oceans, pepper and climate change
Opened on March 12, the exhibition marks the artist’s first solo show in Mumbai in nearly two decades. Known for her intricate graphite drawings and multidisciplinary practice spanning installation, photography, video, and climate change, her artistic journey has long engaged with the themes of ecology, climate change and the natural world. In this ongoing exhibition, these strands converge through a series of works centred on water, salt, and pepper — materials that carry natural and historic weight across centuries.












