
Tyagaraja’s opera and the French connect
The Hindu
Nauka Charitram was staged across Europe, thanks to Christian and Miriam Ledoux’s love for the composer’s works
In 2001, French impresario Christian Ledoux and his wife Miriam landed up at our house. After listening to my daughter Shubasree’s singing in a concert, they had decided that they wanted her to play the role of the main gopika (friend of Krishna) in Tyagaraja’s opera Nauka Charitram (Story of the boat). They also wanted my husband [Trichur Ramachandran] and me to participate, along with an impressive group of accompanists. We were delighted to accept.
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In Episode 13 of Frequently Made Mistakes, we tackle one of the biggest traps in modern action filmmaking: confusing scale for stakes. Explosions get bigger. The threat goes global. But the emotional cost never changes. Using examples from Tiger 3, Casino Royale, Mission Impossible: Fallout, and Bajrangi Bhaijaan, this episode breaks down why raising scale does not automatically raise stakes — and how it often dilutes drama instead. We look at:

In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform

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