‘The Suicide Squad’ movie review: A glorious, gratifying and gobsmacking reboot
The Hindu
‘Guardians of the Galaxy’ director James Gunn injects the supervillain outing with his particular brand of zip and energy, making it violent and funny in equal measure
My absolute favourite of all the extremely likeable antiheroes in The Suicide Squad is Nanaue, the adorable, chubby, man-eating human-shark hybrid. How can one’s heart not melt at Nanaue, with the voice of Sylvester Stallone, the shark’s grin with pink gums and razor-sharp teeth, flat black eyes and an attempt to blend in with the locals with a false moustache? . Guardians of the Galaxy’s James Gunn, who has written and directed The Suicide Squad, has injected the film with his particular brand of zip and energy. The DC Extended Universe’s tenth film is violent and funny in equal measure. After superhero films became these brobdingnagian money spinners that everyone worshipped, the time was ripe to take them down a couple of pegs. There have been films and shows with an irreverent take on the meta-humans who walk among us. Gunn riffs off that sentiment with The Suicide Squad, which he has rightly described as “its own thing”.
A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











