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‘The Rings of Power’ interview: Sam Hazeldine on playing Adar, learning Black Speech and the Sauron problem

‘The Rings of Power’ interview: Sam Hazeldine on playing Adar, learning Black Speech and the Sauron problem

The Hindu
Tuesday, August 20, 2024 07:39:08 AM UTC

Sam Hazeldine discusses playing Adar in 'The Rings of Power,' delving into character depth, Black Speech, and Sauron's return.

Sam Hazeldine is an actor with orcish commitment to his craft. Having inherited the mantle of Adar from Joseph Mawle, the 52-year-old Englishman has stepped into the role of the layered antagonist in Amazon’s colossal fantasy prequel series, The Lord of the Rings: The Rings of Power. In its much-anticipated second season, Hazeldine not only fans the flames of Adar’s zealous resolve, but also deepens his story with a concoction of paternal instincts and ruthless determination — a feat that proves once more that the lines between good and evil are seldom clear-cut in Middle Earth.

When I ask him how he sees Adar, Sam is quick to deflect any rudimentary labels. “I don’t see him as a villain at all, really,” he says. “He’s just trying to make life happen, to give the Uruk a life, really, which he has succeeded in doing at the end of the first season by creating Mordor, and they can live there, hopefully — we’ll see.”

It’s the “hopefully” that stands out. There’s a sense of unfinished business, of a job half done. In Tolkien’s world Adar occupies a fascinating grey space. “For Adar, it’s about a singleness of purpose,” Sam explains. “He has to make absolutely sure that he fulfils his promise to them, really, of protecting them and saving them either from the darkness of Sauron or from the elves who apparently want to wipe out the race of the Uruk once and for all.”

This singleness of purpose, as Sam puts it, makes Adar a character that resists easy classification. He’s not a mad tyrant or a power-hungry despot — he’s more of a father figure, albeit one with a very large, very dysfunctional (and often cannibalistic) family. The actor is quick to point out the parallels between Adar and the marginalised. “There’s a kind of entitlement there,” he says, referring to the elves. “It’s a bit like a master race thing.” Adar, on the other hand, is simply seeking a home for his people. “He just wants to be left alone.” 

The Uruk, in Sam’s interpretation, are his children, and his ruthlessness comes not from malice but from a paternal instinct to protect and provide. “I think his ruthlessness is just about collateral damage,” he says. “He’s not trying to be ruthless, he just has this role he takes very seriously.”

This focus, this singular purpose, is what sets Adar apart from the pantheon of Tolkien villains. Saruman had a deepening lust for power, Azog his bloodthirsty vengeance, but Adar’s motivations are rooted in a kind of dark altruism. Adar is not out to conquer the world — he’s just trying to carve out a small corner of it for his own. “There’s honour there,” Sam adds thoughtfully. “A responsibility that he is beholden to and has to honour.” 

But as much as Adar might want to play the role of protector, there’s the small matter of Sauron, the looming shadow that Adar thought he had banished. Season 2 sees Adar coming to grips with the realisation that Sauron is not as dead as he might have hoped. “I think Adar thinks his work is done, really,” Sam muses. “Until Halbrand arrives in Mordor and talks about this sorcerer returning… Sauron is something that he didn’t imagine was going to be a problem, having killed him already.”

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