‘Thalaimai Seyalagalam’ series review: Vasanthabalan’s political drama undone by its predictability and uneven writing
The Hindu
In ‘Thalaimai Seyalagalam,’ with the help of a talented ensemble cast, filmmaker Vasanthabalan adapts well to long-form storytelling and attempts to do something fresh in the Tamil streaming space, but the series bites off more than it can chew
There’s a lot to talk about Thalaimai Seyalagalam, ZEE5’s star-studded political thriller that comes as a reassurance that the Tamil streaming space would benefit from the voices of seasoned filmmakers like Vasanthabalan. But before we get into the good and the bad, addressing the ugly is pivotal.
Vasanthabalan’s series — which narrates an intriguing power play between political players eyeing the seat of the Chief minister — undoes itself miserably, thanks to a fumble from the director who seems to have revealed a trump card of a twist during the promotions, and the many spoilsport hints throughout this series. This is disappointing as the series is quite a novel attempt at building an immersive world, and a viewer who looks past this degree of predictability might even wish for a second season.
A lot happens; the story spans across India, almost a dozen characters pull the weight of the story, and there are four intertwined narrative arcs. The bigger narrative revolves around the tricky situation that the incumbent Chief Minister of Tamil Nadu, Arunachalam (Kishore proves to be a fitting choice), is facing.
The CM is about to be prosecuted in a 17-year-long corruption case, which is the handy work of business magnate Krishnamoorthy (Shaji Chen). To secure his government and defeat his enemies, Aruna turns to his most trusted deputies — Amudhavalli (Remya Nambeesan), his daughter and minister with an eye on his seat; Kottravai (a fantastic Sriya Reddy), political advisor and Aruna’s most trust-worthy confidante; Hariharan (Niroop Nandhakumar), Aruna’s son-in-law and MLA, who has his hands dirty but is hungry for the CM seat; and the most influential of them all, the party’s loyal General Secretary Selvapuviyarasan (Santhana Bharathi).
Meanwhile, the Central Bureau of Investigation sends officer Nawas Khan (Adithya Menon) to re-investigate a decades-long trail of gruesome murders — from the feudal lands of Jharkhand to the Naxal forests of Orissa — alleged to have been committed by a woman named Durga. Down south, DCP Manikandan (Bharath) investigates the murder of a police officer and has his suspicions pinned on a woman named Durga (Kani Kusruti), a smuggler and rebel who seems to have a history with Kottravai. Durga’s story forms the fourth arc.
It does seem like a lot for eight 30-minute episodes to handle. But what strikes one instantly is the extremes between the dramatic display of gore in some scenes, the matter-of-fact manner in which shocking crimes are mentioned, and a sense of sedation you find in most stretches, which only adds to the peculiar atmosphere that inhabits the show.
In his series debut, Vasanthabalan seems well-adapted to this style of long-form storytelling; cliffhangers seem organic, background scores are justly used, and there are hardly any unnecessary camera movements or cinematic gimmicks. What truly makes Thalaimai Seyalagam an unusual political drama is how we never see rallies or crowds, reactions of the common folk, rival party men clashing, or dramatic television debates — and it works like a charm. There’s also the smart use of animation to tell some backstories — and a noteworthy re-creation of Nayagan’s “Neenga nallavara kettavara” moment — but you wish the series had used more of this technique to solve the predictability around a central mystery character.
