‘Super Sharanya’ movie review: Campus drama does not live up to its name
The Hindu
The typical old-school romantic drama is partly enjoyable, but misses the spark or sensibility that marked director Girish’s debut film
When ladies’ hostels are portrayed in Malayalam cinema, the gaze often has been that of an outsider, mostly that of a male trying to gain access to it or taking a look at it from far away. In Super Sharanya, at least in its enjoyable initial portions, the gaze is from the inside, with the script portraying the bonding between a group of young women in an engineering college. Yet, for a movie which sets out with such sure steps, and a seeming intent, the way it squanders it all in the latter half comes as quite a disappointment.
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Sharanya (Anaswara Rajan), a girl of low self-esteem arrives at an engineering college away from her home, only to find the situation there even worse for someone like her. Ragging from seniors and her own fears of how she is perceived by others drags her down, but a bunch of hostelmates gives her some level of confidence. But more problems are waiting for her, with some men, including a senior and a professor, developing feelings for her.

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











