‘Sooryavanshi’ review: Nursing the other virus
The Hindu
The text packs a punch; it is the subtext of Rohit Shetty’s action-entertainer that is problematic
The decision to hold the release of Rohit Shetty’s most ambitious film till the pandemic went into remission was right. The sound and fury of the film demanded a theatrical release and it’s good that the audiences were not asked to negotiate with two pandemics simultaneously.
Like its hero, the screenwriters indulge in multiple somersaults to ‘balance’ the narrative but can’t save the Akshay Kumar-starrer from relentlessly planting seeds of suspicion against a particular community.
With Sooryavanshi, Rohit, known for conjuring mindless entertainment and visceral action choreography, attempts to deal with complex issues. He opens with the much-abused Gandhi quote: an eye for an eye will leave the whole world blind, but loses faith midway, and decides to reduce the ‘opponent’ to a pulp.
Singer Tanvi Shah returns to music with 'Baala Kaale', a Sinhalese song that marks a quiet, hopeful comeback.
The makers of the Sivakarthikeyan-starrer Parasakthi have unveiled a grand exhibition at Valluvar Kottam in Chennai that displays the many period sets that were created for the film
The trailer of Vir Das' Happy Patel Khatarnak Jasoos, backed by Aamir Khan and also starring Imran Khan, was unveiled
Filmmaker Prakash Veer just pulled off a major feat with the release of ‘The Devil’, his action-thriller featuring superstar Darshan, all while the actor was dealing with some serious legal drama
Dhurandhar exemplifies government-embedded filmmaking, blending patriotism with a one-dimensional portrayal of Pakistan in contemporary cinema.
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A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.
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Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.
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Studio Bones’ new shounen, Gachiakuta, based off Kei Urana's manga, is a blitz of anarchy in animation, turning society’s discarded into a swirl of stylised rebellion