Revisiting Sivaji Ganesan’s iconic films
The Hindu
A tribute show was held as three of the thespian’s films complete 60 years
The scene being screened is from the Tamil film, Paasa Malar. Gemini Ganesan, an employee, enters the boss’s (Sivaji Ganesan) cabin with his co-workers who are on strike. While Gemini delivers a powerful dialogue about workers’ rights, Sivaji conveys his anger with controlled and subtle emotions, ending with an almost inaudible ‘Get out’.
As the scene ends, Y. Gee. Mahendra enters the stage amidst applause to talk about the film that was released 60 years ago. “Just see how he lets Gemini steal the scene while he appears relaxed,” says Mahendra. “His range of expressions is unbelievable. His Tamil diction is impeccable. That is ‘Nadigar Thilagam’ Sivaji.”
As three of Sivaji’s super hit films — Paava Mannippu, Paasamalar and Paalum Pazhamum — complete 60 years, a tribute was paid to the late thespian with an audio-visual event at Vani Mahal.

Inspired by deeply personal memories, says maker of Telugu short selected for Sundance Film Festival
Telugu short film "O’sey Balamma," inspired by childhood memories, selected for Sundance Film Festival 2026, says creator Nimmala Raman.

In Episode 13 of Frequently Made Mistakes, we tackle one of the biggest traps in modern action filmmaking: confusing scale for stakes. Explosions get bigger. The threat goes global. But the emotional cost never changes. Using examples from Tiger 3, Casino Royale, Mission Impossible: Fallout, and Bajrangi Bhaijaan, this episode breaks down why raising scale does not automatically raise stakes — and how it often dilutes drama instead. We look at:

In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform

‘Pharma’ series review: Despite strong performances and solid premise, the narrative misses the mark
Pharma offers strong performances but falters in storytelling, making it a passable watch despite its intriguing premise.









