‘Oxygen’ movie review: A claustrophobic film experience that breathes due to Melanie Laurent’s grit
The Hindu
Director Alexandre Aja, with the ample help of his lead actor, weaves together a tale that keeps you interested mostly, save for the underwhelming last few minutes
It’s almost as if French filmmaker Alexandre Aja knew what the situation in India would be like during the second wave of COVID-19. His latest film revolves around a protagonist who wakes up in a medical cryo unit and must race against time to rebuild her memory before she runs out of oxygen. . The protagonist, played by an emotive Melanie Laurent, does not even know her name for most of the film. She’s just referred to as unit number 0267; she might have been someone popular in real life, but out there, she is just a number.
Actor Gibin Gopinath reflects on his successful 2025 and craving meaningful roles in Malayalam cinema
Filmmaker Neeraj Ghaywan discusses his journey, the importance of empathy, and his Oscar-shortlisted film "Homebound."
In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform
Jaideep Ahlawat has replaced Akshaye Khanna in Drishyam 3 after the actor refused to be "part of the film via a text message"
Medai The Stage brings Margazhi to Coimbatore
‘Pharma’ series review: Despite strong performances and solid premise, the narrative misses the mark
Pharma offers strong performances but falters in storytelling, making it a passable watch despite its intriguing premise.
Discover the creativity of individuals on the autism spectrum with Autism Club Ernakulam’s inspiring 2026 desktop calendar.
Screened at the IFFK 2025 recently under the Indian Cinema Now section, ‘Alaav’ is a still cinéma-vérité portrait of an ageing Indian artist caring for his real-life mother
The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!
How two stories named for a nightmare peel back polite veneers to expose a rot of moralities and the base human instinct to reach for tenderness anyway — here’s why ‘Monster’ (anime) and ‘Monster’ (film) belong on your watchlist
Indian cinema in 2025 reflected societal complexities, broke genre conventions, and sparked controversies as audiences engage in a two-way dialogue
Pluribus series review: Rhea Seehorn shines as a fantasy writer who might be the only person to save the world from unbridled niceness and is just one of many delights in this post-apocalyptic binge-fest
In Akhil Sathyan’s sophomore film ‘Sarvam Maya’, a sublime Nivin Pauly, with the help of Aju Varghese and Riya Shibu, propels a thin script