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‘Oorichivara Kalakarulu’, a short film depicting transcendent art wins accolades

‘Oorichivara Kalakarulu’, a short film depicting transcendent art wins accolades

The Hindu
Thursday, May 16, 2024 06:07:38 PM UTC

A heartwarming tale of resilience and passion in the face of social barriers unfolds in award-winning short film.

It was Mahasivaratri day when the Ramalingeswara Swamy temple at Yanamalakuduru village saw large throngs of devotees joining the high-octane celebrations that included special pujas and a cultural programme.

“Suddenly my attention was distracted by a young girl with a bunch of balloons trying to find buyers among the crowd. A Bharata Natyam dance being performed on the stage deflected the little one’s focus and she stood still, her head tilted to one side, watching with fascination the rhythmic movements of the performer,” recalls Maddula Vijay Raju.

“Art transcends all boundaries, it cannot be bound by caste, class, creed and social status,” mumbled the 27-year-old and thus was born his next shot film “Oorichivara Kalakarulu”. The 38-minute shot film depicts how resilience and determination of a father-daughter duo, who belong to a lower caste and live in the village periphery, help them overcome social barriers and follow their passion.

The film’s protagonists Shivudu, who plays ‘dappu’ at funerals, lives at the village periphery with his 10-year-old daughter Nandini, who has a burning desire to learn Bharata Natyam. Shivudu is wary of the possible repercussions from the upper castes in the village and tries to dissuade Nandini from following her passion. But Nandini is persistent. Shivudu is equipped with the nuances of the Bharata Natyam, which he learnt secretly in the past by intently watching the daily dance classes for girls belonging to the affluent families in the village courtyard, from a tree-top, but he has never allowed this art to surface in the public.

Nandini’s joy knows no bounds when Shivudu gives in to her pleas and teaches her the dance movements, secretly in the confines of the four walls of their thatched roof and warns her against public display of her talent.

But in the next few days, the secret is out at Nandini’s school where her teacher asks girls in the class to enrol their names for a Bharata Natyam dance performance in the Independence Day programme. When the teacher finds none of the girls impressive, Nandini blurts out in excitement that she can dance too. The teacher is impressed by her talent and allows her to sit inside the classroom from that day (hitherto she was made to sit outside for being a ‘social outcast’).

The incident comes to the notice of the sarpanch and the angry village head humiliates Nandini in front of the villagers. Shivudu is agonised and he dies of anguish. Nandini plays the dappu, drowning her sorrows in its rhythmic and resounding beats.

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