New on Amazon Prime: ‘Karnan’, ‘Minari’, ‘The Last Hour’, and more
The Hindu
Gal Gadot’s latest tryst as Wonder Woman, Zoom horror feature ‘Host’ and a new series from Barry Jenkins are among the other highlights on the platform this week
This week on May 14, Amazon prime Video brings the original series The Last Hour, a supernatural crime thriller. Set in a small Himalayan town, the series explores the story of a Shaman who joins a newly-transferred cop to track down a mysterious killer. Created, written and produced by Amit Kumar and Anupama Minz, and executive produced by Amit Kumar and Academy Award winner Asif Kapadia, The Last Hour features a stellar cast including Sanjay Kapoor, Shahana Goswami, Karma Takapa, Shaylee Krishen, Raima Sen, Robin Tamang and Mandakini Goswami in pivotal roles. . On May 13 is the digital premiere of Dhanush’s Karnan on the streaming platform. The movie also stars actors Lal, Yogi Babu, Azhagam Perumal, Natarajan Subramaniam, Rajisha Vijayan, Gouri G. Kishan and Lakshmi Priya Chandramouli. Karnan is written and directed by Mari Selvaraj, produced by Kalaipuli S. Thanu, and features music by Santhosh Narayanan.
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Atul Kumar shares his experience staging Tom Stoppard's radio play 'Darkside' after the playwright waived royalties for the production.
Anchored by a phlegmatic Nawazuddin Siddiqui, director Honey Trehan crafts a mystery that intertwines crime and social commentary. Though uneven in pacing, the film deftly examines the intersection of entitlement and morality in society
Singer Tanvi Shah returns to music with 'Baala Kaale', a Sinhalese song that marks a quiet, hopeful comeback.
The makers of the Sivakarthikeyan-starrer Parasakthi have unveiled a grand exhibition at Valluvar Kottam in Chennai that displays the many period sets that were created for the film
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Filmmaker Prakash Veer just pulled off a major feat with the release of ‘The Devil’, his action-thriller featuring superstar Darshan, all while the actor was dealing with some serious legal drama
Dhurandhar exemplifies government-embedded filmmaking, blending patriotism with a one-dimensional portrayal of Pakistan in contemporary cinema.
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A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.
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