Meenakshi Sundareshwar: Story of a mismatch
The Hindu
It is a kind of film that won’t keep you awake but provides talk-points for dinner table discussion
Essentially a tale of match and mismatch where a smart and confident girl Meenakshi (Sanya Malhotra) gets into an arranged marriage with a boy called Sundareshwar (Abhimanyu) who needs more than a bit of hand-holding in negotiating the world, it is yet another film where writers raise significant issues about family, companionship, long-distance relationship and career but fail to integrate them into a persuasive storyline.
Sundar’s father wants him to help out with matching falls to sarees in the family business but he is keen to make a name for himself. Meenakshi loves this independent streak but does the boy who has grown up playing ‘book cricket’ have the tools to chisel his ambition?
Perhaps, the writers binged on Netflix series Little Things before coming up with this Dharmatic variant where during the first meeting Sundar, an engineer, describes himself as a great problem solver and the girl, a management graduate, shares her desire to work in a small firm where she could make a big difference.

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











