‘KUWTK: The Final Curtain’: Top five katch ups
The Hindu
June 20 marked a farewell to a 20-season run of ‘Keeping Up With The Kardashians.’ Here are the top five highlights from the two-episode reunion hosted by Andy Cohen.
It is official, Keeping Up With The Kardashians has come to a close after a solid 13-year run (since its first episode on October 14, 2007). You can cringe at them all you want but it is indisputable that they changed the reality television subculture while enduring waves of criticism. Over the years, we saw weddings, divorces, feuds, new additions to the family, businesses being built, and more. But the final season saw ratings plummet, so perhaps the finale comes at the right time. Don’t worry, this is not a complete ‘A-B-C-D-E-F-G Goodbye’ (one of Kourtney’s iconic quips over the years) for the Kardashians; they have inked a deal with US streaming giant Hulu for a new series of which the details are yet to be disclosed. .
Actor Gibin Gopinath reflects on his successful 2025 and craving meaningful roles in Malayalam cinema
Filmmaker Neeraj Ghaywan discusses his journey, the importance of empathy, and his Oscar-shortlisted film "Homebound."
In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform
Jaideep Ahlawat has replaced Akshaye Khanna in Drishyam 3 after the actor refused to be "part of the film via a text message"
Medai The Stage brings Margazhi to Coimbatore
‘Pharma’ series review: Despite strong performances and solid premise, the narrative misses the mark
Pharma offers strong performances but falters in storytelling, making it a passable watch despite its intriguing premise.
Discover the creativity of individuals on the autism spectrum with Autism Club Ernakulam’s inspiring 2026 desktop calendar.
Screened at the IFFK 2025 recently under the Indian Cinema Now section, ‘Alaav’ is a still cinéma-vérité portrait of an ageing Indian artist caring for his real-life mother
The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!
How two stories named for a nightmare peel back polite veneers to expose a rot of moralities and the base human instinct to reach for tenderness anyway — here’s why ‘Monster’ (anime) and ‘Monster’ (film) belong on your watchlist
Indian cinema in 2025 reflected societal complexities, broke genre conventions, and sparked controversies as audiences engage in a two-way dialogue
Pluribus series review: Rhea Seehorn shines as a fantasy writer who might be the only person to save the world from unbridled niceness and is just one of many delights in this post-apocalyptic binge-fest
In Akhil Sathyan’s sophomore film ‘Sarvam Maya’, a sublime Nivin Pauly, with the help of Aju Varghese and Riya Shibu, propels a thin script