Karnan brings together two different musical worlds
The Hindu
Santhosh Narayanan’s rousing score and songs add to the sense of rebellion in Dhanush-starrer Karnan
The sounds of nagaswaram and an international orchestra rub shoulders in the musical score of the recent Tamil film Karnan. The story of a protagonist defending the rights and dignity of the people in his village is compelling not just due to its myriad characters and powerful performances. Directed by Mari Selvaraj and starring Dhanush, the film breathes fire and fury in many of its sequences, and the songs and score fully complement its tone. Karnan inhabits two different musical worlds. One is rooted in Tamil culture and brings forth the musicality of the land that its creator (director Mari Selvaraj) largely grew up in and drew inspiration from. The other is the score provided by FAME’s Macedonian Symphonic Orchestra, one that alternately nosedives and takes off in a musical sense.
Medai The Stage brings Margazhi to Coimbatore
‘Pharma’ series review: Despite strong performances and solid premise, the narrative misses the mark
Pharma offers strong performances but falters in storytelling, making it a passable watch despite its intriguing premise.
Discover the creativity of individuals on the autism spectrum with Autism Club Ernakulam’s inspiring 2026 desktop calendar.
Screened at the IFFK 2025 recently under the Indian Cinema Now section, ‘Alaav’ is a still cinéma-vérité portrait of an ageing Indian artist caring for his real-life mother
The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!
How two stories named for a nightmare peel back polite veneers to expose a rot of moralities and the base human instinct to reach for tenderness anyway — here’s why ‘Monster’ (anime) and ‘Monster’ (film) belong on your watchlist
Indian cinema in 2025 reflected societal complexities, broke genre conventions, and sparked controversies as audiences engage in a two-way dialogue
Pluribus series review: Rhea Seehorn shines as a fantasy writer who might be the only person to save the world from unbridled niceness and is just one of many delights in this post-apocalyptic binge-fest
In Akhil Sathyan’s sophomore film ‘Sarvam Maya’, a sublime Nivin Pauly, with the help of Aju Varghese and Riya Shibu, propels a thin script
As the science-fiction-horror series, Stranger Things, returns on Friday with three new episodes from its fifth and final season, here are five things to know about it
Explore the debate on whether propaganda can transcend its messaging to become great art, featuring insights from critics and artists.
‘Anaconda’ movie review: Slithery meta fun abounds in this tribute to our favourite creature feature, buoyed by Jack Black’s infectious energy
‘Retta Thala’ movie review: The many unanswered loopholes aside, Arun Vijay’s ambitious double-action film could have been salvaged with a more focused screenplay, narrative discipline, and better character writing