Jonathan Raymond on ‘First Cow’: ‘It is a conscious revival’
The Hindu
The author and screenplay writer says the film is a comment on the genre and Western values such as individualism, vigilante justice and extreme masculine energy
The Western genre is the basis for national mythology, according to author Jonathan Raymond, whose novel, The Half Life has been made into the critically acclaimed film, First Cow. “For better or worse, Hollywood depictions are how we understand ourselves,” says Raymond over a video call from Portland, Oregon. “First Cow is a Western in that it takes place in the west. It is a comment on the genre and values such as individualism, vigilante justice and extreme masculine energy.” It is a conscious revival, says Raymond who has collaborated on the screenplay with director Kelly Reichardt. “This is not to say that Kelly and I hate Westerns, but they have a limited, imaginary world. The idea even to call it a Western is to suggest that it is the story of the region travelling from the east to west. It is like we are oriented towards a European endpoint. And as we realize, increasingly, that it is actually a south-to-north kind of traffic that is creating this region or Asian-to- American traffic, even the term Western becomes open to interpretation.”
A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











