Interviewing the cast of ‘Heeramandi’: ‘There was life in every object’

Actors Manisha Koirala, Sonakshi Sinha, Aditi Rao Hydari, Fardeen Khan and others speak about inhabiting the world of ‘Heeramandi’ and collaborating with a visionary like filmmaker Sanjay Leela Bhansali

Sanjay Leela Bhansali pens a billet-doux to a bygone era in his latest opus, Heeramandi: The Diamond Bazaar. Set in pre-Independence India, the streaming series reimagines the fabled eponymous neighbourhood in Lahore, where courtesans reigned supreme. Originally conceptualised by writer Moin Beg, the series evokes a past where tawaifs — female dancers and entertainers of the time — had the measure of nawabs and noblemen, wielded considerable social and political influence and contributed to the freedom movement. Even by Bhansali standards, it’s a sprawling, gorgeously mounted series — spread out over eight, hour-long episodes set to stream on Netflix from May 1.

“I had little understanding of the complexities of courtesan culture in the subcontinent before Heeramandi,” says Manisha Koirala, who fronts the show as the formidable Mallikajaan, madam of a fictitious elite brothel called Shahi Mahal. “In truth, the courtesans influenced the politics and the course of history. Their abodes were the centre of art, culture, tradition, dance and music. They were quite a powerhouse during their time.”

Manisha, of course, worked with Bhansali in his debut film, Khamoshi: The Musical (1996). Back then, the visionary director of Devdas, Bajirao Mastani and Gangubai Kathiawadi was still coming into his own as a stylist and storyteller. How was it reuniting with him at the height of his power?

“It’s been wonderful to witness Sanjay’s evolution as an artist,” Manisha says. “Even during Khamoshi, he was equally passionate, and his love for cinema and his work ethic were the same. We had made a simple, poignant film with a lot of heart. Today, I feel Sanjay’s characters are quite layered. His style of telling stories is different and grander.”

Bhansali has called Heeramandi his biggest production yet. Barring some outdoor scenes in Lucknow, the series was shot at Mumbai’s Film City on a giant three-acre set, meticulously erected by an army of 700 craftsmen. The painstaking production design is by Amit Roy and Subrata Chakraborty, while another Bhansali regular, cinematographer Sudeep Chatterjee, has shot it with Mahesh Limaye. Since filming was to continue throughout the seasons, the makers had wrapped the sets in a protective rain cover that blocked out natural light. The actors describe the experience as walking into a ‘whole new dimension’.

Sonakshi Sinha, who plays Fareedan, a rival courtesan and challenger to Mallikajaan’s throne, says she was struck by the grandness and detail of Bhansali’s vision. “Every table, curtain, candle, pillow, lampshade and cushion cover was crafted with an insane amount of detailing. There was life in every object.”

The point is reiterated by Taaha Shah Badussha, who plays an Oxford-returned heir and would-be revolutionary in the show. “The art design reflects the individual humanity of the characters. Every curtain was different for every character!”