India’s run at the Oscars
The Hindu
The nomination process for the prestigious award is fairly straight forward or extraordinarily curly depending on the way one looks at it.
It was quite akin to throwing a grenade with its pin pulled into the room when the Awards Editor of the Rotten Tomatoes website, Jacqueline Coley, mentioned Jai Bhim for Best Picture in response to The New York Times film critic, Kyle Buchana’s question on Twitter, “Which Oscar nomination could provoke the biggest reaction from you tomorrow morning?”
The Suriya starrer, directed by T. J. Gnanavel, was released on a streaming platform on November 2, 2021. The legal thriller is based on true events and has been praised for its performances, story and (ahem) message. Jai Bhim, however, was not India’s official submission for the Academy Award for Best International Feature Film. That honour went to P.S. Vinothraj’s Koozhangal (Pebbles).
Well, one can argue that Coley had put Jai Bhim in contention for the big one—best picture. The film and Priyadarshan’s Marakkar: Arabikadalinte Simham, made it to the Oscar nomination shortlist of 276 films. Marakkar: Arabikadalinte Simham is an epic war film starring Mohanlal. Set in 16th century Kozhikode, it is based on the life of an admiral of the Zamorin fleet.

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











