Primary Country (Mandatory)

Other Country (Optional)

Set News Language for United States

Primary Language (Mandatory)
Other Language[s] (Optional)
No other language available

Set News Language for World

Primary Language (Mandatory)
Other Language(s) (Optional)

Set News Source for United States

Primary Source (Mandatory)
Other Source[s] (Optional)

Set News Source for World

Primary Source (Mandatory)
Other Source(s) (Optional)
  • Countries
    • India
    • United States
    • Qatar
    • Germany
    • China
    • Canada
    • World
  • Categories
    • National
    • International
    • Business
    • Entertainment
    • Sports
    • Special
    • All Categories
  • Available Languages for United States
    • English
  • All Languages
    • English
    • Hindi
    • Arabic
    • German
    • Chinese
    • French
  • Sources
    • India
      • AajTak
      • NDTV India
      • The Hindu
      • India Today
      • Zee News
      • NDTV
      • BBC
      • The Wire
      • News18
      • News 24
      • The Quint
      • ABP News
      • Zee News
      • News 24
    • United States
      • CNN
      • Fox News
      • Al Jazeera
      • CBSN
      • NY Post
      • Voice of America
      • The New York Times
      • HuffPost
      • ABC News
      • Newsy
    • Qatar
      • Al Jazeera
      • Al Arab
      • The Peninsula
      • Gulf Times
      • Al Sharq
      • Qatar Tribune
      • Al Raya
      • Lusail
    • Germany
      • DW
      • ZDF
      • ProSieben
      • RTL
      • n-tv
      • Die Welt
      • Süddeutsche Zeitung
      • Frankfurter Rundschau
    • China
      • China Daily
      • BBC
      • The New York Times
      • Voice of America
      • Beijing Daily
      • The Epoch Times
      • Ta Kung Pao
      • Xinmin Evening News
    • Canada
      • CBC
      • Radio-Canada
      • CTV
      • TVA Nouvelles
      • Le Journal de Montréal
      • Global News
      • BNN Bloomberg
      • Métro
‘Extraction 2’ movie review: Chris Hemsworth ups the ante in blazing, action-fuelled sequel

‘Extraction 2’ movie review: Chris Hemsworth ups the ante in blazing, action-fuelled sequel

The Hindu
Thursday, June 15, 2023 12:23:12 PM UTC

Director Sam Hargrave and lead star Chris Hemsworth’s sequel to ‘Extraction’ might be a misfire when it comes to having an intriguing plot, but hits the bullseye with its immersive action sequences and set-pieces

A sequel’s objective is not just to bank on the success of its predecessor, but also to be better than it by cutting down on the aspects that failed to function and amplifying the ones that worked. Based on those simple terms, Extraction 2 tries to give us a far more gripping story than the first part, and amp up the action that had become a gold standard. While it surpasses the 2020 film with flying colours on the action front, it leaves us wishing we could say the same when it comes to the storytelling.

At the end of Extraction, Tyler Rake (Chris Hemsworth), a former Australian SAS operator turned black ops mercenary, is shot in his neck, throwing him over a bridge to the water below. The yellow tint Hollywood uses to stereotype impoverished Asian and South American countries that paint the skyline of Dhaka turns normal as the sequel starts by showing us how Tyler is saved and airlifted to Dubai.

When he whiles away his time in a remote cabin in Austria, chopping firewood and watching TV with a chicken for company, Tyler gets a new mission. Why does a reluctant Tyler take it up? Because this time, things get personal as his ex-wife’s sister Ketevan (Tinatin Dalakishvili) and her kids have to be extracted from a prison where they’re held captive. Similar to the first film, the extraction component — despite causing the decimation of what would’ve possibly been the population of a small village — is the easier part when compared to the after-effects. In Extraction 2, for Tyler, this means killing Ketevan’s husband Davit Radiani and becoming enemy number one of Davit’s elder brother Zurab Radiani, the head of the Nagazi gang.

Stunt coordinator Sam Hargrave who made his directorial debut with the first film,is back in the director’s seat for the sequel; it’s evident that he wanted to push the envelope this time. For starters, instead of extracting one kid in Extraction, here Tyler is saving a woman, her teenage son and girl child. While Pankaj Tripathi’s character called the shots despite being a prisoner in the first film, the objective here is to extract from a prison. Instead of involving the local cops, governments and forces, this time, the fight is contained. It’s between families — one side is led by Tyler and the gang of mercenaries who he considers his blood — and the other comprises Zurab and his lot avenging his family’s spilt blood.

Extraction endured from a simple and predictable storyline and the sequel is no different. The makers have tried to force a few layers to the story like the kevlar on Tyler’s suit to soften the blow of nothingness, but just like how Tyler still gets stabbed, bleeds and feels pain, the film suffers. The word ‘Nagazi’ means shepherd but we never understand what that gang protects, despite the very obvious religious references; the climax happens in a church!

Similarly, Zurab has a hearing impairment; one might expect this to be an idea with a payoff later, but while the film travels through Dubai, Georgia and Austria, the sub-plot goes nowhere. The ease with which both sides handle law enforcers also defeats logic of any kind.

But for everything Extraction 2 lacks, the awesome action set-pieces that are unique to the franchise almost make up for it. Loved the 12-minute single-shot action scene in the first film? The sequel features a 21-minute scene of the same ilk. If the first film’s highlight was a superb hand-to-hand combat sequence that led to a car chase, here it’s a prison riot involving hundreds of people, followed by a chase that involves everything from helicopters to a train.

Read full story on The Hindu
Share this story on:-
More Related News
Quiz | Easy like Sunday morning: All about crosswords Premium

Test your crossword knowledge with intriguing trivia and puzzles inspired by their rich history and clever wordplay.

IFFK 2025: A useful ghost is more than just a ghost story

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Watch: Kochi-Muziris Biennale 2025 opens across 22 venues

Kochi News:Watch: Kochi-Muziris Biennale 2025 opens across 22 venues

Green Christmas: decking the halls without wrecking the planet

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.

Online Quiz: On Stranger Things Premium

Test your knowledge of Stranger Things with our quiz ahead of the final season premiere!

‘Gachiakuta’ series review: Furious punk rock class war in motion

Studio Bones’ new shounen, Gachiakuta, based off Kei Urana's manga, is a blitz of anarchy in animation, turning society’s discarded into a swirl of stylised rebellion

IFFK 2025: Jafar Panahi’s It Was Just an Accident pulses with a rare moral force and authenticity

It Was Just an Accident, is screened in the World Cinema category at the 30th International Film Festival of Kerala

Krithika Natarajan offered a well-nuanced Carnatic concert rooted in tradition

Krithika Natarajan delivers a classically-rooted carnatic concert at Kedaram's 10th music festival in Chennai.

K. Gayatri brought alive her guru Suguna Purushothaman’s diverse oeuvre in her tribute concert

At Sunaada Lahari, K. Gayatri curated a recital drawn wholly from Suguna Purushothaman’s works, revealing the composer’s melodic and rhythmic imagination.

Attracting younger audiences to classical music concerts is a challenge, says A.R. Rahman

A.R. Rahman discusses challenges in attracting youth to classical music at the Music Academy's 99th annual conference and concerts.

IFFK 2025: Anti-ageism film Blue Trail portrays the joy of discovering the new at old age

Discover the joy of pursuing dreams in old age with Gabriel Mascaro’s anti-ageism film, Blue Trail, at IFFK 2025.

IFFK 2025: Fazil Razak’s Moham is an antidote to films celebrating toxicity

Explore Fazil Razak's "Moham," a poignant film addressing toxic relationships and mental health at IFFK 2025.

The Malladi Brothers’ concert was shaped by thoughtful raga exposition and classic kritis

At Kartik Fine Arts, the Malladi Brothers’ concert stood out for their rare raga choices and classical presentation.

‘Toxic’: Kiara Advani’s first-look from Yash’s magnum opus unveiled

Kiara Advani's first look as Nadia in Yash's upcoming film 'Toxic' is unveiled

Roopa Viroopa, Indianised version of Beauty and the Beast, to be staged in Bengaluru

The dance theatrical is a fusion of Bharatanatyam, Kathak, Kuchipudi, folk dance and martial arts

Bollywood actor-director Tannishtha Chatterjee on cancer, creativity and female solidarity

After IFFK Kerala, Full Plate director Chatterjee on fighting cancer armed with her Bollywood sisterhood and art

Tom Stoppard let us stage radio play ‘Darkside’ for free: Mumbai-based theatre director Atul Kumar

Atul Kumar shares his experience staging Tom Stoppard's radio play 'Darkside' after the playwright waived royalties for the production.

Raat Akeli Hai: The Bansal Murders movie review: A layered exploration of crime and entitlement

Anchored by a phlegmatic Nawazuddin Siddiqui, director Honey Trehan crafts a mystery that intertwines crime and social commentary. Though uneven in pacing, the film deftly examines the intersection of entitlement and morality in society

Tanvi Shah’s comeback song is in Sinhalese — and it came after a life-changing year

Singer Tanvi Shah returns to music with 'Baala Kaale', a Sinhalese song that marks a quiet, hopeful comeback.

Sivakarthikeyan’s ‘Parasakthi’ opens its 1960s sets to Chennai’s film buffs

The makers of the Sivakarthikeyan-starrer Parasakthi have unveiled a grand exhibition at Valluvar Kottam in Chennai that displays the many period sets that were created for the film

Happy Patel Khatarnak Jasoos trailer: Vir Das stars as a failed spy in his wacky directorial debut

The trailer of Vir Das' Happy Patel Khatarnak Jasoos, backed by Aamir Khan and also starring Imran Khan, was unveiled

‘The Devil’: Director Prakash Veer on the challenges of making Darshan’s action-thriller

Filmmaker Prakash Veer just pulled off a major feat with the release of ‘The Devil’, his action-thriller featuring superstar Darshan, all while the actor was dealing with some serious legal drama

How ‘Dhurandhar’ is a prime example of government-embedded filmmaking Premium

Dhurandhar exemplifies government-embedded filmmaking, blending patriotism with a one-dimensional portrayal of Pakistan in contemporary cinema.

The Hindu Sunday crossword no. 35

Solve The Hindu Sunday crossword no. 35 with intriguing clues across and down for a fun challenge!

Politics on my plate: Salt, labour and culture at 10th Serendipity Arts Festival

In its 10th edition Serendipity Arts Festival foregrounds food-themed projects and commentaries on surveillance, migration, ecology and erasure

© 2008 - 2025 Webjosh  |  News Archive  |  Privacy Policy  |  Contact Us