Director Puja Kolluru: ‘Martin Luther King’ is ‘Mandela’ on steroids and the politics is relevant

Puja Kolluru, debuting as director with the Sampoornesh Babu starrer ‘Martin Luther King’, opens up on adapting the Tamil political satire ‘Mandela’ and making it relevant to the socio-political scenarios of Andhra Pradesh and Telangana. The film is co-produced by Venkatesh Maha and Y Not Studios

Days ahead of the theatrical release of the Telugu film Martin Luther King (MLK) on October 27, its makers held screenings in Vijayawada, Visakhapatnam, Nellore, Warangal and Kurnool. Puja Kolluru, making her directorial debut with this Telugu adaptation of director Madonne Ashwin’s Tamil political satire Mandela starring Yogi Babu, says the idea stemmed from director Venkatesh Maha organising 15 screenings of his 2018 debut indie film Care of Kancharapalem inviting people from different walks of society, prior to its theatrical release. “He told me that if people like the film, they will spread the word.” Maha has co-produced MLK, headlined by Sampoornesh Babu, with Chennai-based Y Not Studios.

In this interview at her office in Hyderabad, Puja recalls observing the audience and says, “We were nervous about piracy. Luckily, everyone heeded our request and did not record footage on their phones. We also handed out paper crowns like the one seen on the film’s posters and asked them to wear them if they felt represented while watching the film. I teared up when I saw so many people wearing the crown while viewing the film at different points, in appreciation.”

Since Mandela is considered a niche film and has not been widely viewed on digital platforms in Andhra Pradesh and Telangana, she believes it works to the advantage of MLK. Puja reveals that the idea of an adaptation came from Y Not Studios. The production house was keen on a Telugu adaptation and film critic Baradwaj Rangan had suggested Venkatesh Maha. “Maha was hesitant, not wanting to do another adaptation,” says Puja. His Uma Maheshwara Ugra Roopasya was an adaptation of the Malayalam film Maheshinte Prathikaram. 

Question of identity

Puja, Maha’s associate, was taken in by the political satire and the issue of identity discussed in Mandela. “I was born in Vijayawada and had spent a few years studying in the USA. When I returned to India, it was not easy to fit in. And when you think of it, Madonne Ashwin’s story can be adapted to suit any region in the world; it will be relevant.”

In Mandela, a village hairstylist barber is wooed by two opposing groups — northerners and southerners — who want his vote as a tiebreaker. The film is a critique of the political and caste systems in Tamil Nadu. Maha adapted the screenplay and wrote the dialogues to suit the socio-political context of Telangana and Andhra Pradesh. The team zeroed in on the arid villages of Markapur in Andhra Pradesh to suit the story.

When asked if she had any reservations about debuting with an adaptation, Puja discloses, “Not at all; I believe the story needs to be told. And, whenever I pitched my original scripts to producers or digital platforms, I was told these stories are at least five years ahead of their time.” Often she was asked why she does not think of writing a rom-com instead of thrillers. “It is not easy to be a female director in Telugu cinema.”