‘Chhorii’ review: The bitter side of sugarcane
The Hindu
Some of the rawness of the Marathi original is missing here but the makers largely succeed in holding on to the audience to a supernatural experience rooted in everyday life
Threatened by loan sharks, Hemant (Saurabh Goyal) prods her pregnant wife Sakshi (Nushrratt Bharuccha) to rush to a picturesque hamlet to protect their child from harm. Little does Sakshi realise that she is going to become witness to a cruel practice that is being perpetuated for centuries in the name of tradition. What starts as a clash between rural and urban values takes a sinister turn as strange events begin to unmask the reality of Sakshi’s genial hosts Bhanno Devi (Mita Vashisht) and Kajla (Rajesh Jais).
Playing out like a parable, the film gradually brings out one of the social horrors that plague our society. We realise pretty early where the narrative is headed but still, director Vishal Furia manages to keep us engaged and anxious for the story to unravel.
The narrative, an adaptation of Vishal’s Marathi film Lapachhappi, doesn’t necessarily require the sun to go down for the filmmaker to play out the scares. Negotiating the maze of sugarcane fields, which gradually becomes a metaphor for centuries of the regressive patriarchal mindset that has soured the sweet belt, is enough to almost choke you up. The art design and background score effectively set up the atmosphere for the interplay of illusions and reality.

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The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!











