Arunraja Kamaraj on why ‘Nenjuku Needhi’, the remake of ‘Article 15’, is a personal film

Filmmaker Arunraja Kamaraj on retaining the soul of ‘Article 15’ in ‘Nenjuku Needhi’, while dealing with a personal loss

Arunraja Kamaraj missed the opportunity to watch the Hindi film Article 15 in theatres, when it came out in 2019 and received mostly positive reviews. Later, when it dropped on an OTT platform, Arunraja remembers watching it along with his wife, Sindhuja, and being emotionally moved by what the film stood for. But when he was approached for the Tamil remake, little did he foresee that Nenjuku Needhi would be a personal film. 

Arunraja lost his wife to COVID-19 in May last year, just a month after the filming of Nenjuku Needhi commenced. He says it is a film that caused so much pain, “She was the one who used to push me constantly and ask what next. But then you have to move on. I now have to realise the dreams we dreamt together about life,” he says.

I want to make films that are emotional. Kanaa [my debut] too had a strong emotional quotient. There are very few films that have the attributes of entertainment and emotion. Ultimately, it is the emotion that will have the lasting impact. This film came to me for that reason.

No. At the end of the day, the job of the director is to direct; writing is an additional qualification. Not everybody can write and not everybody can direct. Either way, a film is not an individual’s effort. I saw Nenjuku Needhi as an opportunity to direct somebody else’s script. So, I was more concerned about how I was going to tell Anubhav Sinha’s [director of Article 15] story.

I think the film’s intention is its soul. Every crime that happens in our society has a motive behind it. Article 15 talks about the intentions that are discriminatory in nature. All of us carry that thought in us…we need to confront, address and rectify it.

Udhay sir liked the idea. It was an emotional moment for him. Since the film talks about social justice, it seemed apt.

Yes, we did talk about that. Personally, I have a different take on the film’s criticism. If you take Article 15, it is about this person for whom caste-based discrimination is new. It was not about his political awakening but rather his unawareness. Normally, when you hear stories of caste discrimination, you immediately tend to think that it’s happening somewhere far away and not around us. This is what happens to the protagonist as well.