‘Looop Lapeta’ movie review: A run-down adaptation
The Hindu
Director Aakash Bhatia fuels Tom Tykwer’s ‘Run Lola Run’ with the mythical Satyavan and Savitri episode, and expects it to drive into the desi conscience... with middling results
Looop Lapeta is yet another example of the growing tribe of young filmmakers who like to bring a foreign film home. To make up for the lack of originality, they try to retrofit an indigenous emotion, but the impact of the art design and colour scheme or simply the styling of the original is so overwhelming that the cut-copy-paste job shows. The easy way to bypass the ifs and buts is to set the film in Goa, the exotic destination to sell a foreign product to the urban Hindi audience. If it is experimental, it has to be in Goa.
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Here director Aakash Bhatia fuels Tom Tykwer’s Run Lola Run with the mythical Satyavan and Savitri episode and expects it to drive into the desi conscience.

Parvathi Nayar’s new exhibition, The Primordial, in Mumbai, traces oceans, pepper and climate change
Opened on March 12, the exhibition marks the artist’s first solo show in Mumbai in nearly two decades. Known for her intricate graphite drawings and multidisciplinary practice spanning installation, photography, video, and climate change, her artistic journey has long engaged with the themes of ecology, climate change and the natural world. In this ongoing exhibition, these strands converge through a series of works centred on water, salt, and pepper — materials that carry natural and historic weight across centuries.












