‘Gone for Good’ review: Fairly engrossing mini-series from the Harlan Coben staple of thrillers
The Hindu
The show features Coben’s favourite themes of ordinary people getting caught in extraordinary circumstances and the past never staying buried
This has been a packed year for novelist Harlan Coben, who signed a multi-million-dollar deal with Netflix to adapt 14 of his novels. After The Innocent, earlier this year, which was set in Spain, comes Gone for Good based on Coben’s 2002 novel of the same name moving the action this time from New York to Nice. And then there is the British production of Coben’s Stay Close (2012) starring Cush Jumbo, James Nesbitt, and Richard Armitage coming soon to the streaming platform. . Gone for Good features Coben’s favourite themes of ordinary people getting caught in extraordinary circumstances and the past never staying buried. The book has Coben staples of extreme violence, a horrifying antagonist and so many twists and turns that it would make a self-respecting jalebi blush. The show follows the main plot while excising some of the more outlandish twists of the novel.
A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











