
A visual treat
The Hindu
Celebrating the iconic journey of four decades of Shriram Bharatiya Kala Kendra’s dance-drama Krishna
For the 46th time in a row, Shobha Deepak Singh, director and vice-chairperson of Shriram Bharatiya Kala Kendra (SBKK), helmed her pet project and passion – an enthralling two-and-a-half hour dance drama based on the legend and worship of Lord Krishna.
The enthusiasm of the audience is a testimonial to the troupe’s hard work and dedication that goes into the making of the extravaganza. It has been a show marked by dynamic performances, colourful costumes, electrifying lights and sets, captivating music and cutting-edge technology.
This year the utilisation of an LED wall through the presentation was engaging as relevant photographs and videos played along simultaneously with the scenes enacted.
“The idea each time is to offer something fresh and create an interesting ambience for our viewers, and also make the performance relevant,” says Shobha. ,
When it was launched in 1977 as ‘Krishnavatar’, it was based on the romance of Radha and Krishna. But over the years, the group expanded the scope of its performance and added the battle of Kurukshetra and made the show energetic.
This year the performers were seen in traditional dance styles such as Mayurbhanj Chhau, Odissi and Kalaripayattu to depict Lord Krishna’s life, from his birth to his role in the Mahabharata. Trained under Guru Shashidharan Nair, the performers showcased their talent and years of experience.
While the costumes for the show came from Mathura and different cities of Kerala and Rajasthan, an interesting feature of the show is that all the jewellery and props were made by the artistes themselves. -- Shruti Sanwariya

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Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











