A festival that celebrates the legend Kesarbai Kerkar
The Hindu
The annual Surashree Kesarbai Kerkar festival in Goa once again brought to life a rich musical tapestry
The Kala Academy held the 41st edition of the annual Surashree Kesarbai Kerkar Sangeet Samaroha in Goa from January 1 to 14. Amid the third wave of COVID-19, the event managed to bring together artistes from across the country, but one missed the presence of a Carnatic exponent, which has been the norm for the past few years.
The festival opened with a vocal concert by young Ritishka Vernekar from Goa. Slide guitar artiste Deepak Kshirsagar from Baroda displayed a mature understanding of ragas while Mumbai-based Aarti Ankalikar Tikekar showcased her cerebral approach to music and her diverse training with her presentation of raag Jhinjhoti in the Jaipur-Atrauli style. She also sang a Basant Bahar composition of one of her gurus, Pt. Dinkar Kaikini, before concluding with raag Bhairavi, in which her rendition included an unusual nine and a half beat composition by Pt. Chaitanya Kunte, a snatch of a tappa and a tarana. “This stage set in memory of Kesarbai ji calls for a deep approach to music and not for a light presentation,” said Anjali.

Parvathi Nayar’s new exhibition, The Primordial, in Mumbai, traces oceans, pepper and climate change
Opened on March 12, the exhibition marks the artist’s first solo show in Mumbai in nearly two decades. Known for her intricate graphite drawings and multidisciplinary practice spanning installation, photography, video, and climate change, her artistic journey has long engaged with the themes of ecology, climate change and the natural world. In this ongoing exhibition, these strands converge through a series of works centred on water, salt, and pepper — materials that carry natural and historic weight across centuries.












