The need to find the right dance teacher

The rise of ‘art quacks’

Sahitya, sangeeta kala viheenaha sakshat pashuhu, pucha vishanaha heenaha

It means that a human life without an initiation into literature, music or any art is akin to a cow without horns and tail. Hence every human being is entitled to learn and practise the arts without which life loses its meaning. Having said this, one has to understand the difference between casual association with art and deep engagement with it.

Classicism is about methodical and disciplinary approach. Unfortunately, these values are being manipulated for ease of learning and popularity. This is a disheartening trend, which goes unchecked. We need to put in place a safety regulation for training in arts to ensure the genuineness of the trainee.

Since Bharatanatyam is my field, I will talk about it. I have coined the term ‘art-quacks’ to refer to those so-called teacher, who are manipulating the system to their advantage. In the process, they are permanently damaging the perspective of the learners. Dance needs both physical and mental conditioning and the ‘art-quacks’ definitely cannot impart.

Both people and veteran artistes and scholars can help curb this menace. Firstly, young enthusiasts rarely have a good understanding of what a mentor should be like. Their expectations are akin to what a tuition teacher or hobby class can provide. They should not get carried away with the promises of performance opportunities. Parents and children should realise that substandard learning cannot take them far. The same effort that they put in while selecting the school for education should be made when selecting the dance school. A little bit of homework could do good.

When a learner applies for Central or State scholarships and Doordarshan auditions and recordings, he or she will understand more than ever the significance of being trained by a knowledgeable guru.

The concept of salanga pujai or arangetram are not what they were in the past. What is the value of a formal debut in today’s times when digital platform offers an easy access. Yet, arangetrams are being conducted with immense fanfare. Huge expenses, including guru dakshina are incurred by parents. The great nattuvanars of yesteryear intensely trained a few talented and promising sishyas, whose patronage was their sole source of income.