How a new film is setting the narrative for Maharashtra poll
The Hindu
Dharmaveer 2 movie in Maharashtra sets narrative for Assembly election with focus on political rebellion and Hindutva ideology.
As political campaigning moves away from the traditional methods to the realm of social media and audio-visual medium, political parties have shifted their focus accordingly. The recently released movie, Dharmaveer 2, in Maharashtra is an effort to set the narrative for the upcoming Assembly election. Apart from serving as the biography of late Shiv Sena leader Anand Dighe, the movie justifies the rebellion that split Shiv Sena.
Considering that the movie tries to set a narrative about the incidents related to contemporary history, each character has been chosen carefully to suggest similarities with the current MLAs and leaders. In many scenes, real-life venues, including the Chief Minister’s residence, a five-star hotel, which was a favourite haunt of the political party, have been used. In some instances, political leaders have played their own part in the movie. Be it allegations about being ‘traitors’ or having allegedly taken ₹50 crore to switch over from the Thackeray-led Sena to the Shinde faction, the movie tries to set a counter-narrative.
But the biggest issue it seeks to address is the sympathy wave for Mr. Thackeray after the MLAs walked away from him and joined Mr. Shinde. The climax has Mr. Shinde himself on screen, sitting inside an SUV (indicating his journey to Surat with the other MLAs on the day of the Vidhan Parishad voting), claiming that he had both ‘Hindutva’ and ‘Shiv Sena’ with him in that journey.
Thereafter, news clippings of the rebellion and the subsequent journey to Guwahati, and the formation of government with the BJP are shown before the end credits.
The movie claims that the rebellion by MLAs led by Mr. Shinde was to protect ‘Hindutva’ and save the ‘Sena from the clutches of the Congress, which allegedly wanted to finish it’.
Drawing parallels between Dighe and Mr. Shinde, the movie portrays the current Sena chief as the carrier of the mantle of Hinduvta, who allegedly protected the party from losing its core ideological commitment to Hindutva. “A leader looks good at the doorstep of his political worker, not in his own house,” says a character in the movie.
“If you ask me what is the most prominent theme of the movie, it is self-respect,” says the film’s producer, Mangesh Desai.

Over the decades, the Anglo-Indian Grand Christmas Ball in Chennai has stepped into many venues, from Railway enclaves to private halls. It has left an indelible mark on some of these venues, Faiz Mahal and Shiraz Hall, both in Egmore, counted among them. This Christmas Day (December 25), Faiz Mahal is playing host to yet another Grand Christmas Ball. The soiree is organised by Anglo-Indians but by no means restricted to them. In these times of dwindling Anglo-Indian presence even in enclaves with a distinctive Anglo-Indian flavour, this event signifies an effort to preserve a cultural tradition that has enriched Chennai

Vaishnaw credits Make-in-India push for Bengaluru plant after Rahul Gandhi touts Karnataka ecosystem
Vaishnaw credits Make-in-India for Bengaluru's success, acknowledging Rahul Gandhi's praise of Karnataka's thriving business ecosystem.











