Mandy Barker’s camera zooms in on the plastic and pollution in our seas
The Hindu
As all roads lead to Goa this month, the British photographer hopes her new show will turn our attention to its beach litter
‘Shelf-Life’ by UK-based photographer Mandy Barker, features plastic litter collected from Henderson Island, a UNESCO World Heritage Site, in the South Pacific Ocean. It captures turtles weaving their way around a ton of plastic to get out to sea; birds removing plastic from their nest; and the littering of endemic flora with plastic bottles and single-use items at one of the most isolated and uninhabited places in the world. Plastic litter from 25 countries, comprising 45 recognisable brands and logos, had travelled more than 5,000 kilometres to reach the shores of Henderson Island.
Shelf Life is one of the 40 photographs exhibited at Barker’s first solo show in India — Invasion of the Seas — at Sunaparanta Goa Centre for the Arts, Panaji, which opened on December 8. “It was truly shocking,” recalls Barker, 57, who accompanied scientists on their voyage to Henderson Island in 2019. “It was my personal experience of finding plastic on my local shoreline that first disturbed me,” reveals Barker who grew up in Hull, a port on the East coast of England. As a child, she used to collect natural objects like stones and driftwood while walking on the beach. But, as time passed by she saw more man-made waste.

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











