‘Ghost’ movie review: Shivarajkumar shines in a potent yet complicated fan service

Director Srini gets the best out of Kannada superstar Shivarajkumar, but fails to put together a smooth screenplay in this heist thriller

Director MG Srinivas, popularly known as Srini, is a die-hard fan of Shivarajkumar. In Ghost, he ups the style quotient of his leading man. The Kannada superstar sports a sleek hairstyle, wears blue contact lenses and an elegant outfit. Srini also shapes Shivarajkuamr’s character as a larger-than-life personality. As a result, Ghost becomes a solid fanboy experience that also manages to be the actor’s best outing since Tagaru.

The film begins with two political parties being at loggerheads due to the privatisation of a jail. The city gets gripped in tension when a gangster (Shivarajkumar) holds the jail hostage with former CBI officer (Prashant Narayanan), a prominent person, in his custody. City commissioner Chengappa (Jayaram) gets the job to take control of the situation.

Shivarajkumar, back in his most successful avatar of a gangster, takes on the role with aplomb. Called the ‘Ghost’, he effortlessly gets into vigilante mode as Srini doesn’t miss a chance to celebrate his terrific screen presence. Those who found genuine whistle-worthy scenes of Shivarajkumar missing in his previous Kannada films will be pleased with Ghost, while those who discovered the actor’s on-screen swag in Jailer might enjoy his big moments. The de-ageing of the veteran actor is another indulgent yet honest fanboy expression from Srini.

Once you move past the protagonist of Ghost and focus primarily on its story, the film comes across as a lost opportunity. Srini’s screenplay oscillates between being layered and incomprehensible. In some places, you admire the cleverness of writing, while in some portions, you are bewildered by the absurd nature of the twists. The surprises in the plot are convenient to suit the hero’s pursuit, as most of them appear illogical otherwise.

The non-linear screenplay of Ghost is overstuffed, so much so that not many scenes linger in one’s mind. Sure, the fast-paced narration doesn’t allow you to take your eyes off the screen, but the transitions are so abrupt that you rarely get time to process the proceedings. If this is the kind of cinema you wish to watch, where entertainment overshadows an organic experience, Ghost is worth your money.

Arjun Janya’s background score blends well with the film’s breakneck speed. Among the action sequences, one involving handcuffs stands out. Jayaram, who has dubbed himself in Kannada, exudes superb energy into a caricaturish character.

The film leaves you with a slew of unanswered questions which Srini has an opportunity to answer in the sequel of Ghost. The director doesn’t force the concept of Srini-verse (involving his sophomore film Birbal) in Ghost and goes easy on the idea.