The 1980 miniseries “Shōgun” is rightly considered a landmark of its time, both creatively and commercially. Yet the recent FX/Hulu retelling of James Clavell’s epic novel set in feudal Japan brought the story into the 21st century with a production that improved on it in fundamental ways, while reflecting how the TV landscape has changed over that time.
Despite being based on a grim true-crime yarn, “Under the Bridge” makes several poor choices in translating the book to the screen, beginning with inserting the author, Rebecca Godfrey, into the story. This bridge into the familiar waters of troubled teens thus proves most notable as Lily Gladstone’s follow-up to “Killers of the Flower Moon,” albeit in a rather drab role as the local cop investigating the case.