What ‘Wicked’ Has to Say About Our Current Political Moment
The New York Times
By breaking the story into two movies, the emphasis in “Part One” shifts to a nation’s potential decline into authoritarianism. Sound familiar?
In the big-screen adaptation of “Wicked,” Elphaba (Cynthia Erivo) uses magic to defend her sister and unwittingly destroys a courtyard mural of the Wizard at Shiz University. When her outburst shatters the wall, it also unearths an image that has been intentionally covered up: the school’s original founders, animal professors whose ability to speak, teach humans, and organize politically posed a threat to the Wizard’s autocratic reign.
This surprising fact is revealed early on, but as I watched it, I realized Elphaba’s discovery came too late.
As a repeat viewer of Broadway’s “Wicked,” I’m usually fascinated by how the story’s retrospective lens encourages us to sympathize with Elphaba, who eventually will become the Wicked Witch of the West. Her rich back story — she’s a perennial outsider and highly empathetic person — has forced me to rethink my assumptions about her and reflect on how easily I accepted L. Frank Baum’s own prejudices and his representation of her as a one-dimensional villain in his novel, “The Wizard of Oz.”
But, unlike the stage version, which tracks Elphaba as a young adult to her fateful encounter with Dorothy, the movie delves even more into Elphaba’s biography. It follows her to Shiz University, where she ends up rooming with her frenemy, Galinda, later renamed Glinda (Ariana Grande), whose jealousy of Elphaba’s magical powers leads to conflict. The film ends at the characters’ climactic midpoints. “If Part One is about choices,” the director, Jon M. Chu, recently told Entertainment Weekly, “Part Two is about consequences.”
But for now that also means the story remains unresolved. At the end of the Broadway version, there’s relief in the surprise ending when we learn that the Wicked Witch was far kinder than we gave her credit for and that she successfully challenged the Wizard’s dominance.
Instead, onscreen, Elphaba is left suspended in midair (on her broom), made a scapegoat by the Wizard (Jeff Goldblum) as the Shiz professor Madam Morrible (Michelle Yeoh), falsely warns the people of Oz about an enemy who must be captured. Madam Morrible goes even further, blasting on the loudspeaker, “Her green skin is but an outward manifestorium of her twisted nature. This distortion! This repulsion! This wicked witch!”
