Michelle Pfeiffer, With Mixed Feelings, Is Busier Than Ever
The New York Times
At 67, the actress is still reinventing herself, with two new TV shows, “The Madison” and “Margo’s Got Money Troubles,” and an evolving attitude about her work.
At 67, the actress is still reinventing herself, with two new TV shows, “The Madison” and “Margo’s Got Money Troubles,” and an evolving attitude about her work.
Dozens of former employees say René Redzepi inflicted physical and psychological violence on the staff for years.
The agreement, which requires a judicial sign-off, would avoid a breakup of the concert giant. But states who joined the suit object to the terms.
In “Shrinking,” this veteran performer has finally found a job in which he feels fully appreciated. “It’s the greatest experience I’ve had in my acting career,” he said.
The Met has looked to a foreign government, to new strategies, even to outer space, in its scramble to find money to sustain the country’s largest performing arts organization.
Bill Lawrence, the man behind comedies-with-heart like “Scrubs” and “Ted Lasso,” is in the midst of a career renaissance. He has five shows on the air now, including “Rooster” with Steve Carell.
The pop star’s arrest on suspicion of driving under the influence this week was a breaking point, years after she regained control of her life and finances.
The producer and songwriter has been responsible for some of this century’s biggest hits. His greatest skill may be remaining curious.
For an unmoored time, 56 artists and teams present an inspired discourse shaped by crisis, craft and community. Look up, and listen.
By transmitting his love of live performance, the “Just in Time” actor has completed his ascendance to full musical stardom.
Why Billy Joel’s dream home finally sold for $14 million under the asking price.
Andrea Fraser had long felt that she was to blame for the years her mother, Carmen de Monteflores, was overlooked. Now Carmen is 92. Can the Whitney Biennial make amends?
Research suggests pets keep you healthier. But there are some caveats.
The Oscar nominee Autumn Durald Arkapaw’s ambitious collaboration with Ryan Coogler was also risky, starting with the very heavy large-format cameras.