The Rise and Fall of a Beauty Mogul
The New York Times
The makeup artist Pat McGrath was a favorite of Taylor Swift, Kim Kardashian and Madonna. Then she became a billion-dollar brand.
The makeup artist Pat McGrath was a favorite of Taylor Swift, Kim Kardashian and Madonna. Then she became a billion-dollar brand.
The superstar showcased Puerto Rican pride during a 13-minute set that turned a global opportunity into an intimate, personal performance.
The Puerto Rican musician celebrated Latino heritage and performed mostly in Spanish in a show that had become a political flashpoint amid his criticism of ICE.
Lady Gaga and Ricky Martin joined the Puerto Rican musician in the first halftime show that was performed mostly in Spanish. His appearance had become a political flashpoint amid his criticism of ICE.
How would a 10-year-old terrier mutt, averse to flying, fare during eight days at sea?
Amid harsh rhetoric from the White House, the Puerto Rican superstar will take the stage on Sunday promising a message of unity: “The world will dance.”
Antenna ears, floofy coats, glittery barrettes and more.
The rare murals in the Cohen Federal Building celebrate vital American values of dignity and community. Now they could meet the same fate as the White House’s East Wing.
The administration took a crowbar to a site that focused on George Washington and slavery. But can the contradictions of the Founding Era be erased?
Libby Howes was an imposing presence onstage with the Wooster Group. But after abruptly leaving New York in 1981 she became a theater world mystery. What happened?
Miss Piggy began as a bit player, but a sassy attitude and a karate chop carried her to the pinnacle of pop culture. A new Muppets special premieres on Wednesday.
Brushing, panting, licking and leaping: Here’s what we saw backstage, where show dogs could let their fur down before taking to the ring.
The administration’s announcement to shut the center for a major overhaul led to a swirl of confusion and anxiety among performers and patrons about its future.
The museum says a Jewish art dealer received a fair price for the work in 1941. The heirs say sales from that time are considered to have been forced and void under French law.