'The Matrix Resurrections' takes the red pill, but works more like a sleeping pill
CNN
Complicated in the best of times, "The Matrix Resurrections" is simply convoluted, a collection of flashy digits that don't add up to much of anything. Although director/co-writer Lana Wachowski slyly comments on the commercial nature of the undertaking and it's nice seeing Keanu Reeves and Carrie-Anne Moss reunited, the better plan in hindsight might have been to completely reboot the system.
Instead, Wachowski has conjured a film that falls into its own kind of strange nether realm, mixing nostalgia and self-referential callbacks with what feels like a redo of fundamental elements, without satisfactorily explaining (despite scads of exposition) how we got from the earlier trilogy to here. Although the previous "Matrix" sequels marked a sleep decline from the freshness of the original, compared to this film's missteps all is forgiven.
Spoilers are understandably a concern with this sort of eagerly anticipated genre movie, but the one benefit of "Resurrections" is that it's not entirely clear what there is to spoil.
What the world needs now is a fight over the internet’s favorite animal.
It’s hard to remember a year in which the Academy Award winners were so up in the air. Except probably one, of course — Jessie Buckley, from “Hamnet.”
The show formerly known as the SAG Awards is set to take place on Sunday, and it will be the last major stop for many nominees before the Oscars on March 15.
Connor Storrie’s meteoric rise — which has seen him go from the world of food service to an internet-dominating television series in just a few months — has left endless possibilities open for the Texas-born actor, whose name is surely being uttered in many a Hollywood casting room these days.