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How RZA Got Wu-Tang Clan Back Together for One Final Tour
How RZA Got Wu-Tang Clan Back Together for One Final Tour

How RZA Got Wu-Tang Clan Back Together for One Final Tour How RZA Got Wu-Tang Clan Back Together for One Final Tour

The New York Times
Monday, February 24, 2025 03:19:38 PM UTC

The pathbreaking New York rap group, which has rarely performed as a full unit, is hitting the road for the last time.

Few groups have had more impact on the shape and evolution of hip-hop than Wu-Tang Clan, the Staten Island supergroup that helped define the sound of 1990s New York rap and transform the industry.

And yet seeing Wu-Tang Clan perform a full-length concert in the flesh — all of the members onstage together — is a privilege not many have experienced. Even in its golden era, the Wu-Tang Clan was never a reliable touring unit. Its smaller shows were often unruly, and by the time the group graduated to bigger stages, performances were often undone by competing egos and unreliable artist attendance, to say nothing of the limits on the opportunities available to rough-edged rap stars in the 1990s and 2000s.

“There’s so many places we really haven’t been,” RZA, the chief architect of the Wu-Tang Clan, said in an interview on Popcast, The New York Times’s music podcast. “We had some successful touring, right? But not at the level of what the brand is.”

He’s aiming to fix that with Wu-Tang Forever: The Final Chamber, billed as the group’s last tour, and the biggest road show it has undertaken as the headlining act, which will begin in June. All of the surviving original members — RZA, GZA, Raekwon, Ghostface Killah, Method Man, Inspectah Deck, U-God and Masta Killa — are slated to participate, as well as Cappadonna and Young Dirty Bastard, who will perform in place of his father, Ol’ Dirty Bastard, who died in 2004.

The tour, RZA told Jon Caramanica and Joe Coscarelli, is the culmination of a five-plus-year plan of legacy-building for the Clan, including a multipart documentary series, a dramatized mini-series, several individual biographies and a Las Vegas residency, the first for a hip-hop act.

Read full story on The New York Times
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