From roadkill to runway: Porcupine quills are a versatile material for Indigenous artists

Porcupine quills are a precious material for Indigenous artists because they can’t be purchased just anywhere – artists must source the material themselves or trade for them. 

Some artists aren't squeamish about picking up the porcupine carcasses they need from the side of the road and putting them in their trunk.  

"It's always an honour to do quillwork," said Amber Waboose, a quillwork artist from Batchewana First Nation in northern Ontario.

"I feel like I'm bringing life back into the porcupine."

Quilling is delicate work using the barbed needles to form intricate patterns and designs for jewelry and art.

Waboose said people send her co-ordinates for porcupine roadkill so she can pick them up and she cleans and dyes the quills to get them ready for her next project. Then she honour its life by returning it to the forest with a bit of tobacco she uses to give thanks. 

It takes about five to eight hours to clean a porcupine and remove its quills and guard hairs — the long, coarse outer layer of fur. The guard hairs can be used for a roach — the headdress on men’s traditional dance regalia.

Waboose embroiders quills onto canvas or birchbark, which she also harvests herself.

“I feel like quillwork now is a large part of my identity as Anishinaabe kwe (woman),” Waboose said."

"Practicing daily is like an act of revitalizing it.”

Kiera Pyke, who is Kanien’kehá:ka (Mohawk) from Akwesasne Mohawk Territory, uses synthetic and natural dyes like walnut and berries to colour the quills. 

She softens them in water so she can flatten them, and then weaves them into hide to make medicine bags, medallions or earrings.

A pair of earrings takes her about eight hours depending on the intricacy of the design but it’s not as hard as people think, she said.

She teaches over 100 people a year to quill and said her classes fill quickly.