Dance Leads the Way as Art Meets Sport at the Cultural Olympiad
The New York Times
A program of arts events shown in conjunction with the 2024 Olympic and Paralympic Games looks at the relationship between art and sport.
In dance and in sports, there is a common ritual: warming up. As much an art as an activity, it energizes not just the body, but also the mind, speaking less to effort than to surrender. What does it take to get into the zone, that place where the body and mind show up as equals?
Since 2022 France has been warming up — on a grand scale. Culture, along with sport and education, is a pillar of Olympism, and France has taken that seriously with its Cultural Olympiad, a program of multidisciplinary arts events directed by Dominique Hervieu, a choreographer, an experienced leader in the arts and a former dancer as well.
The thread running through this Olympiad is the connection between sports and art. When do they find symbiosis? When do they diverge? As Hervieu sees it, what binds the Olympic Games is culture, and there, the dance values she embraces play a role: “It’s a way to think with your body,” she said in an interview in Paris. “To think about society, to think about individuality, to think about space.”
In other words, to be aware of yourself in the larger world. The contemporary mandate for including a cultural component with the Games began in 1992 in Barcelona, Hervieu said. But how to integrate it is a choice made by the host city, and Hervieu decided on the sports-art connection.
There are obvious similarities between the two — the idea of excellence and surpassing oneself — but Hervieu also wanted to “show that art is not sport and vice versa,” she said. “The dimension of physical performance, which is the goal of sport with a view to winning, is not the goal of art. This difference is fundamental, because virtuosity in art is always a means of creating a space for meaning or poetry.”
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