Primary Country (Mandatory)

Other Country (Optional)

Set News Language for United States

Primary Language (Mandatory)
Other Language[s] (Optional)
No other language available

Set News Language for World

Primary Language (Mandatory)
Other Language(s) (Optional)

Set News Source for United States

Primary Source (Mandatory)
Other Source[s] (Optional)

Set News Source for World

Primary Source (Mandatory)
Other Source(s) (Optional)
  • Countries
    • India
    • United States
    • Qatar
    • Germany
    • China
    • Canada
    • World
  • Categories
    • National
    • International
    • Business
    • Entertainment
    • Sports
    • Special
    • All Categories
  • Available Languages for United States
    • English
  • All Languages
    • English
    • Hindi
    • Arabic
    • German
    • Chinese
    • French
  • Sources
    • India
      • AajTak
      • NDTV India
      • The Hindu
      • India Today
      • Zee News
      • NDTV
      • BBC
      • The Wire
      • News18
      • News 24
      • The Quint
      • ABP News
      • Zee News
      • News 24
    • United States
      • CNN
      • Fox News
      • Al Jazeera
      • CBSN
      • NY Post
      • Voice of America
      • The New York Times
      • HuffPost
      • ABC News
      • Newsy
    • Qatar
      • Al Jazeera
      • Al Arab
      • The Peninsula
      • Gulf Times
      • Al Sharq
      • Qatar Tribune
      • Al Raya
      • Lusail
    • Germany
      • DW
      • ZDF
      • ProSieben
      • RTL
      • n-tv
      • Die Welt
      • Süddeutsche Zeitung
      • Frankfurter Rundschau
    • China
      • China Daily
      • BBC
      • The New York Times
      • Voice of America
      • Beijing Daily
      • The Epoch Times
      • Ta Kung Pao
      • Xinmin Evening News
    • Canada
      • CBC
      • Radio-Canada
      • CTV
      • TVA Nouvelles
      • Le Journal de Montréal
      • Global News
      • BNN Bloomberg
      • Métro
Why Encanto's We Don't Talk About Bruno is dominating the charts

Why Encanto's We Don't Talk About Bruno is dominating the charts

CBC
Saturday, February 05, 2022 08:33:34 PM UTC

The success of Disney's Encanto is surprising, but for a different reason than most movies nowadays.

The light-hearted fantasy flick, with its themes of togetherness and family, did somehow find an audience during COVID-19 restrictions. That is notable, but not out of the norm for a cultural juggernaut that churns out hits at an astounding rate.

Instead, what's most astounding about Encanto is the success Disney has managed to find outside the movie industry, and instead on the music charts.

Last week, the movie's most popular song (We Don't Talk About Bruno, about the main character's ostracized uncle) reached No. 1 on the Billboard Hot 100 — the best performance from a Disney animated film in more than 26 years, outpacing even 2013's viral earworm Let It Go.

In fact, six songs from Encanto soundtrack are currently on Billboard's top 100 list, while the album itself is the first movie soundtrack to hit No. 1 since 2019.

The film's musical success is even more impressive considering which songs it's competing against. We Don't Talk About Bruno bumped Adele's long-awaited 30 out of a six-week run at the top spot, and is currently No. 1 in both Spotify's Top 50 Canadian and American playlists. In so doing, it's even beat out new music by the platform's most streamed artist of 2022: the Weeknd. 

So how did Encanto — a film that follows teenager Mirabel Madrigal on a journey to discover how she is unique and valuable —  do it? Simple: though the film is in many ways geared toward children, it has also caught the attention of older audiences.  

In composer Lin-Manuel Miranda's view, a large part of that is due to representation, and a focus on family (Mirabel is the sole non-magical member of her own), especially at a time when connecting with others comes at a premium. 

"We've all been locked up for two years," Miranda told The Associated Press in a recent interview. "The notion of a bunch of voices happening within one home feels very resonant, with hindsight." 

There's another element to the movie's success: TikTok.  As the social platform has become a tastemaker in the music industry, it has also changed the way music finds an audience. And that change works perfectly for Encanto.

"A student of mine said, 'Mr. Amante, you need to sing We Don't Talk About Bruno on TikTok,'" Saskatchewan high school teacher Paul Amante — and occasional TikToker — explained. "Then I watched the movie, and I was addicted."

Amante isn't alone; a huge number of users have created posts using Encanto songs on the app. He explained that the the film's music lends itself to success there for several reasons.

First is the aural complexity of the music itself. Most of the songs feature many voices, and multiple competing melodies — a perfect formula for engagement on a platform that allows creators to "duet," and add on, to other users' videos. 

And that complexity is especially true of Bruno.

Read full story on CBC
Share this story on:-
More Related News
Merrily We Roll Along was Sondheim's biggest failure. Now it's a feature film triumph

If you were looking for the Broadway musical least likely to find wide theatrical success among general audiences … well, that would probably be Cats.

Your favourite TV shows are changing how episodes are released. Is appointment viewing back?

Each Wednesday this summer, Nanaki Nagra knew what her plans were — tuning into that week’s episode of The Summer I Turned Pretty on Amazon's Prime Video.

Sean (Diddy) Combs calls Netflix docuseries, in which jurors explain verdict, a 'shameful hit piece'

WARNING: This story contains allegations of ​​​sexual violence and may affect those who have experienced​ it or know someone affected by it.

Inuvialuk designer looks back proudly on Project Runway Canada experience

An Inuvialuk designer says her time on Project Runway Canada was a "career highlight" and an opportunity to showcase some of her culture.

Tom Stoppard, Oscar- and Tony-winning writer, dead at 88

British playwright Sir Tom Stoppard, a playful, probing dramatist who won an Academy Award for the screenplay for 1998’s Shakespeare In Love, has died. He was 88.

© 2008 - 2025 Webjosh  |  News Archive  |  Privacy Policy  |  Contact Us