
When Twilight met Zombieland
The Hindu
As K-drama fans continue to tune into All of Us Are Dead, director Lee Jae-gyu and actor Cho Yi-hyun discuss the emerging Korean Zombie genre, and the possibility of a season 2
Bullies, mean girls, friendships and heartbreaks — just your regular high school fare until the school becomes the epicentre of a contagious virus that turns students and teachers into zombies. The series, All of Us Are Dead, continues to top Netflix’s viewing charts three months after its release in January.
An adaptation of the popular 2009 Naver Webtoon of the same name, it is directed by Lee Jae-gyu (popularly known as Lee JQ), who admits that he is “dumbfounded” by the show’s global success. In an virtual press conference, he says, “There is a universal fandom of the genre in western narratives, but the Korean zombie genre finds resonance in its emotive storytelling,” he says. “It was interesting to see how students, who are still at the cusp of adulthood, react in a bloody battle for survival, and what drives their decisions as opposed to adults.”
For his cast, Jae-gyu chose a host of relatively new and upcoming actors “who could be dimensional” in their portrayal. And Cho Yi-hyun ( Hospital Playlist 2, School 2021), Park Ji-hu ( House of Hummingbird), Park Solomon ( Sweet Revenge), Lee You-mi ( Squid Game), and Yoon Chan-young ( Doctor John) have proved to be just that.
Yi-hyun, 22, plays the cool-headed class president, Choi Nam-ra, who steps in to help her classmates survive the zombie outbreak. In an email interview with The Hindu Weekend, she shares that her character touched a chord with Gen Zers. “Nam-ra is calm and has a strong personality. Her attitude through the zombie apocalypse is a reflection of the mindset of the current generation — speaking her mind and willing to take charge, whatever be the risk,” she says.
Some of her most challenging sequences, both physically and emotionally, came after her character gets infected. “The process of going back and forth between half-human and half-zombie was not easy. I needed to get the emotional quotient right. I took ‘zombie lessons’ from a choreographer, to get my facial expressions and body language right,” she says, adding, “ Twilight was a great reference, too — to imagine a ‘vampire’ lurking within me.’’
In recent years, South Korean entertainment has been exploring the zombie genre ( Alive, Train to Busan, Kingdom) to address systemic socio and political issues. The bloody battle of survival in All of Us Are Dead highlights the country’s socio-economic disparities, toxic masculinity, and acts of violence and bullying that have been a severe issue in schools.
Director Jae-gyu recalls how nervous he was about the show being tagged the next Squid Game. “Then Director Hwang [of Squid Game], who is a close friend, told me that I should not feel burdened, but be grateful that the show has opened the gateway for Korean content.”

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











