‘We were part of a movement’: Sarah Polley on making ‘Women Talking’

Over a career that has taken her from child actor to the director's chair, Sarah Polley has spent enough time on set to have a feel for the standard rhythms of a shoot.

TORONTO — Over a career that has taken her from child actor to the director’s chair, Canadian filmmaker Sarah Polley has spent enough time on set to have a feel for the standard rhythms of a shoot.

But there was something different about the female-led production of “Women Talking,” Polley said, of the first feature she has directed in more than a decade.

Tasks that would typically take 45 minutes would be done in seven, with crew members holding competitions to see who could help set up a shot the fastest, she recalled.

From the stars to the grips, everyone on the call sheet seemed to be galvanized by a sense of collective mission that went beyond adding another credit to their resume, Polley said.

“We felt like we were part of a movement, not a movie,” Polley said in an interview after the world premiere of “Women Talking” at the Toronto International Film Festival this week.

“There’s something essential that we feel is a conversation that should be part of our world, and we want to be part of it with every part of our being.”

Adapted from Manitoba author Miriam Toews’ 2018 novel of the same name, “Women Talking” centres on a small group of Mennonite women who convene in a hayloft to discuss how to respond to a pattern of sexual assaults by the men in their remote religious colony.

Rooney Mara, Claire Foy and Jessie Buckley are part of the ensemble that plays out this fractious debate, wrestling with questions of faith, forgiveness, justice and healing as they determine whether the women in the community should stay and fight or pack up and leave.