Vijay Siva launches new YouTube series
The Hindu
Vijay Siva explores a range of topics in an easy, anecdotal way
Senior musician N. Vijay Siva recently inaugurated a novel video series titled ‘Vande Sangeetam’ on his YouTube channel. The first episode titled ‘Kaveri Saveri’ sees Vijay sitting by the Kapila River, its pristine waters flowing behind him. He talks of the importance of rivers to civilisation and the fact that many prominent Carnatic composers, Tygaraja, Muthuswami Dikshitar and Syama Sastri, hailed from the banks of the Cauvery, and intersperses the narrative with with informative anecdotes. He then sings Dikshitar’s ‘Kari kalabha mukham,’ a song in Saveri, on the Dundi Ganapati deity located on the shores of the Cauvery in Mayiladuthurai. Vijay likes to know the word-by-word meanings of the songs he sings. He does not use any mnemonic aids at concerts. In these videos too, he delivers his content without notes, in easily comprehensible English, moving from anecdote to anecdote, switching effortlessly to singing while strumming the tanpura himself. With some 12 episodes filmed over three consecutive days, a lot of effort must have gone in to present an in-depth account in a free-flowing, viewer-friendly format.
In a few days, there would be a burst of greetings. They would resonate with different wavelengths of emotion and effort. Simple and insincere. Simple but sincere. Complex yet insincere. Complex and sincere. That last category would encompass physical greeting cards that come at some price to the sender, the cost more hidden than revealed. These are customised and handcrafted cards; if the reader fancies sending them when 2026 dawns, they might want to pick the brains of these two residents of Chennai, one a corporate professional and the other yet to outgrow the school uniform

‘Pharma’ series review: Despite strong performances and solid premise, the narrative misses the mark
Pharma offers strong performances but falters in storytelling, making it a passable watch despite its intriguing premise.

The Kochi Biennale is evolving, better, I love it. There have been problems in the past but they it seems to have been ironed out. For me, the atmosphere, the fact of getting younger artists doing work, showing them, getting the involvement of the local people… it is the biggest asset, the People’s Biennale part of it. This Biennale has a great atmosphere and It is a feeling of having succeeded, everybody is feeling a sense of achievement… so that’s it is quite good!










