
Veena C Sheshadri on ‘Jaanami Jaanaki’: ‘Celebrating Sita’s wisdom and courage’
The Hindu
Classical dancer Veena C Sheshadri collaborates with film director/actor Suchendra Prasad for a stage production, ‘Jaanami Jaanaki’
Veena C Sheshadri, an acclaimed Bharatanatyam dancer, was looking at a theatrical performance that was rooted in dance and music. That is when she decided to come up with Jaanami Jaanaki: ARelentless Saga, a solo production that celebrates Sita and women. Taken from Valmiki Ramayana, the Sanskrit production is directed by film and theatre actor-director K Suchendra Prasad.
“The production focusses on Sita. She symbolises courage, strength, endurance and patience. Her life was not easy. She had her struggles as a wife, mother, and daughter, which today’s women can identify with. Jaanami Jaanaki celebrates Sita and her wisdom and compassion; it depicts her as a fighter, counsellor, healer and nurturer.”
Veena says, “Sita teaches us to perform our duties as a wife and mother with patience, yet she fights and stands her ground against injustice. One does not need to be a warrior to fight. You just need to follow your path.”
We are self-indulgent, now, Veena feels. “We fight for our own identity. There is so much ‘I’ in everything that we do. Sita is compared to the earth — she weathers all seasons and also bears life, but can turn into a volcano when she is against injustice.”
Veena does not like calling her production drama, dance or music. “I would say it is a performance-based presentation as I do not believe in defining arts or limiting it to dance, music or theatre. I see it as an amalgamation. It is like the Natyashastra, which includes all performing arts.”
About Prasad being a part of this production, Veena says, that the two had collaborated on other projects. Veena has also been a part of the Sanskrit feature film Ekachankram, directed by Prasad. “That was when I approached him to direct this production as I have directed most of my works and wanted a new perspective for Sita”.
Jaanami Jaanaki symbolises our roles in life too, Veena says. “Each of us plays a different role every day. That is what is projected on to the performance.”

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











