
‘Twisted Metal’ series review: Zipping by in a flash of chuckles and carnage
The Hindu
Anthony Mackie sparkles in this tale of a deliveryman making a final, dangerous, time-bound run through a post-apocalyptic wasteland peopled with unpredictable friends and foes
First things first—Twisted Metal, based on the eponymous videogame, is no The Last of Us, and that is not at all a bad thing. Twisted Metal, working as a prequel to the game(the game involves demolition-derby style vehicular combat), tells a story as twisted as its name, peppered with characters ranging from ridiculous to rabid and everything in between. Speaking of rabid, there was no reason to kill that darling golden retriever — I am docking a significant amount of points for that transgression.
The exposition in the first few minutes tells us of a world gone to hell and people walling themselves into cities, leaving the vast countryside to the lawless. John Doe (Anthony Mackie) is an amnesiac—he does not even remember his name, all he has is a burnt out photograph of his family and a memory of waking up in a car with a headache. John is a Milkman, delivering needful things to and from cities, making it to through the dangerous hinterland by his wits, motor mouth and beloved car, Evelyn.
When Raven (Neve Campbell) a powerful woman from New San Francisco, offers him a chance of a better life, if he makes this one important delivery in 10 days, he grabs it with both hands. Off he goes his merry way. We meet the principal players including Agent Stone (Thomas Haden Church) a rogue cop in the pre-apocalypse days, who, with fellow officers are bent on dispensing their particular brand of justice.
Sweet Tooth (Samoa Joe, Will Arnett - voice), the demented clown and iconic antagonist from the videogame is waiting at his casino in ‘Lost Vegas’ for an appreciative audience. Tired of waiting and encouraged by John, Sweet Tooth decides to go looking for his audience rather than wait for them to come to him.
Quiet (Stephanie Beatriz) and her brother, Loud (Richard Cabral) are on the run from unspeakable horrors and have the misfortune of running into Agent Stone who offers them something of a Hobson’s choice. Two somewhat friends and former security guards, Mike (Tahj Vaughans) and Stu (Mike Mitchell) are rescued from cannibals by Agent Stone’s gang and find their fate not so much improved.
Holy Men led by the Preacher (Jason Mantzoukas) need to be avoided. Amber (Diany Rodriguez), believes in extreme recycling by planting her victims’ body parts in her herb garden, a moving city of monster trucks led by Granny Dredd who wishes to go out in style in her Beamer, which is her pride and joy, and sundry others to make the trip on the right side of exciting.
There are jokes—that torture by playing Aqua’s ‘Barbie Girl’, and being made to fill out forms in triplicate while zip-tied, are just a few samples. The music is a glorious succession of needle drops. The episode titles taking off from personalised number plates is a charming bit of detailing. The chemistry between Mackie and Beatriz is warm and compelling. Mackie is the beating heart and voice of Twisted Metal as he anchors the action with his wisecracks and charisma. Now, if only that dog had not been killed…

A vacuum cleaner haunted by a ghost is the kind of one-liner which can draw in a festival audience looking for a little light-hearted fun to fill the time slots available between the “heavier” films which require much closer attention. A useful ghost, the debut feature of Thai filmmaker Ratchapoom Boonbunchachoke being screened in the world cinema category at the 30th International Film Festival of Kerala (IFFK), even appears so in the initial hour. Until, the film becomes something more, with strong undercurrents of Thailand’s contemporary political history.

Sustainability is not an add-on, but stamped firmly into the process: every piece is biodegradable, waste-free and unembellished, free from glitter or beads. “Products should be sustainable and biodegradable so that our planet is not harmed,” says Anu Elizabeth Alexander, a student of Sishya, Adyar. At a recent exhibition, the stars she made sold the fastest, followed by the small diamonds. “I would like people to know about the process, how it is created, and that it is sustainable,” says Anu. Infanta Leon from Kotturpuram developed an interest in crochet as a teenager. It was a hobbyhorse that evolved into a steed that would help her embark on a journey of identity-shaping creative engagement. She started making Christmas-themed decor two years ago, spurred by a desire to craft safe, eco-friendly toys for children. “With a toddler at home, and my elder child sensitive to synthetic materials, I wanted to create items that were gentle, durable and tactile,” she explains. Her earliest creations were small amigurumi toys which gradually evolved into ornaments that could adorn Christmas trees with warmth and charm.











